Architectural materials have been collected since at least the early thirteenth century. However, they have only been recognized as the basis of a new entity, the architectural museum, since 1979 when some fifteen recently formed institutions met in Helsinki to form the International Confederation of Architectural Museums (ICAM ).1 Since then the membership has grown to nearly 100 members, including museums, archives, and collections housed in larger institutions such as libraries and schools. In approaching architectural collections, I can most usefully discuss some of the key issues from my own personal perspective gained in framing and developing the collection of the Centre Canadien d'Architecture/Canadian Centre for Architecture (CCA). It is not my intention to describe the CCA's holdings, which has been done in earlier publications.2 Most pertinent is what has been learned about the significance and special aspects of collection building and related research in the ten years since the CCA opened as a public institution in 1989.3 This has been experience gained in presenting exhibitions, preparing publications, and, most recently, with the reception of scholars in residence at the CCA Study Centre.4 The nature of the collection cannot be separated from these activities nor from the institution's founding, its purposes, its mode of operation, or its locus. In 1989, looking forward to the next decade, Adolf K. Placzek was prescient in underscoring the interconnectedness of an architecture museum's collection in a broader institutional
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