Margaret Atwood’s novel The Handmaid’s Tale (1985), is the account of an imaginary future State, the Republic of Gilead, based on strict biblical values where men take back their place as head of the family (and the State), and women go back to their original ancillary position, both in society and at home. Gilead was indeed created to solve problems such as the extinction of the human race, due to a diffused infertility, using fertile women, the Handmaids, as surrogate mothers for the families of the Commanders, those who rule it. This creates, in fact, a new model of family, where the Commander and his wife host another woman in their house, hoping that, through the monthly “Ceremonies” (the intercourse between the Commander and the Handmaid), theirs can become a traditional family with children. Yet, the novel shows how a true balance, even between the sexes, is impossible to reach. The aim of this analysis is to show how the author has fractioned all the elements that form a family, as a small version of society itself, to foretell a possible outcome of many matters of debate, especially the role of women. The continuous comparisons that the narrator, a handmaid, does between her previous life, where she had a husband and a daughter, hence a family, are a way to warn about the possibility that, in the future, everything that seems normal might become obsolete and considered almost “wrong”, in the light of a new normality made of strict rules that are justified as an extreme measure to save the very institution of family, the human race itself, and to protect women. The novel, although written in the 80’s, turns out to be a reflection upon current issues about family and the role of women as “carriers of life”, suggesting how the most extreme wing of the debate might, one day, bring to a familiar model that dates back to the Bible, since, as one of the Commander claims, the freedom to marry for love and create a family was “just an anomaly […]. All we’ve done is return things to Nature’s norm”.