On Faulkner, Racism, and Life in (the) Ruins Aliyyah I. Abdur-Rahman (bio) The impetus, or aspirational motivation, behind the production of this special issue of The Faulkner Journal, which focuses on race, racism, and the work (or, perhaps, simply the possibility) of anti-racism in William Faulkner's oeuvre, was the murder of George Floyd in 2020. It was in the evening on a Monday in May of that year when the 911 call came in from an employee at the CUP convenience store in south Minneapolis. The store clerk alleged that an African American patron, later identified as 46-year-old George Floyd, had used a counterfeit $20 bill to purchase cigarettes. Four police officers arrived and attempted to arrest Floyd, who was distressed and who struggled. Despite his numerous and panicked cries of anxiety, discomfort, and, eventually, of being unable to breathe, Floyd was forcibly handcuffed and pinned face-down to the ground. While a fourth officer stood by to prevent horrified bystanders from intervening in the murder they were witnessing, three police officers held George Floyd on the ground. One officer, Derek Chauvin, kept his knee pressed into Floyd's neck for approximately nine minutes—as Floyd complained of being unable to breath, as his body went limp, as he was asphyxiated to death, as paramedics arrived to attempt resuscitation. Within twenty minutes of the arrival of the police, George Floyd was dead. It is noteworthy that he was killed during those terrifying, early months of the Covid-19 pandemic. The country was in lockdown. In fact, Floyd had lost his job due to pandemic layoffs. By the time of his murder, there had been nearly 100,000 Covid-related deaths, and only a week prior the World Health Organization had received reports of more cases within a 24-hour timeframe than at any point during the outbreak. It was a disastrous time in all the world. And yet people took to the streets—en masse, across the globe. Certainly, this was not the first time that Black murder had been caught on camera, nor was it the first time that Black death had gone viral. In fact, since the time of ritual lynching, Black people dying gruesomely has been coextensive with spectatorship and with technologies [End Page 121] of viewing and memorialization. But there was something about the murder of George Floyd—perhaps, the stomach-turning pointlessness of it, the cruel and determined duration of it, or the lethal performance of white cis masculine swagger and authority that executed it—that brought Trump's America to its knees and inspired a planetary outcry. This special issue was designed to hear and to engage that outcry. It does so against the sociopolitical backdrop of the murder of George Floyd as one of countless (simultaneously legal and extralegal) lethal enactments of antiblack racist terror two decades into the twenty-first century, the global uprising on behalf of Black life and against police brutality that ensued, and the "racial reckoning" to which both George Floyd's murder and the uprising purportedly gave rise. In moments of shared powerlessness and of powerful insurgency, it is commonplace for those of us who study and teach literature to turn to authors and to literary texts as repositories of truth and ethical guidance, as sources of societal critique and renewal. Our cultural and political present is characterized by climate crisis and ecological devastation; by the popularization of racist, nationalist, and xenophobic discourses and policies; by the dismantling of normative protocols of democratic governance and the erosion of the most basic rights of citizenship; and by the persistent imperilment of Black and brown lives and life chances in the US and abroad. For readers and scholars of William Faulkner, it seems fitting to turn to his writing. Few white American writers have, as has William Faulkner, reckoned with human frailty in the face of collective violence wrought by a society structured by white supremacy and antiblack racism. Few white American writers have, as has William Faulkner, deployed the literary to imagine how Americans might rend survivable futures from the world-historical crimes of racial slavery and its ongoing manifestations in Jim Crow segregation...
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