What To Read NowHistorical Biographical Fiction Rilla Askew (bio) Katherine J. Chen John Random House Luis Alberto Urrea The Hummingbird's Daughter Back Bay Books Priya Parmar Vanessa and Her Sister Random House LeAnne Howe Savage Conversations Coffee House Press When I first read Hilary Mantel's Wolf Hall, I'd been working on a novel about Tudor-era martyr and writer Anne Askew for over a decade. My head buried in research, I'd been struggling toward a voice, a lens, a pathway into the story. Reading Mantel's work broke that open for me. Historical biographical fiction can complexify and reshape our understanding of famous people, who they were on the inside, why they did as they did. For the writer, the plot is largely prescribed, because these things did happen to this person this way, but the why of the story, the voice, the form of the novel: these are all up for grabs. In her essay "Why I Became a Historical Novelist," Mantel wrote that she would make up a man's inner torments but not the color of his drawing-room wallpaper, because someone somewhere might know the color and pattern, and if she kept searching she might learn it. I try to write to the ones who know the wallpaper. In researching the life of Anne Askew for my novel Prize for the Fire, I sought first the facts: how did people live in sixteenth-century England? What were the political, religious, social mores of the day? What happened in this young woman's life to bring her to the fires of martyrdom? Then I listened for a voice to tell the story. That voice, over the course of many years, gave me the why. Hilary Mantel's masterful Thomas Cromwell trilogy showed me the capacious powers of historical biographical fiction. In honor of her life and work and influence, I've selected four books that plumb the lives of real historical persons. As a reader, I delight in the myriad forms this genre can take. These writers each chose a unique slant for their stories of real women who lived and breathed and walked the earth, each of whom, in her own time and place, made history. Katherine J. Chen Joan Random House AS SOON AS I saw the advance praise for Joan, Katherine J. Chen's novel about Joan of Arc, I knew it would go on my to-read list. To embark on a novel about a woman of such fame requires courage and vision: how to reimagine a person whose story has been told so many times over the centuries in plays, poems, operas, films, novels, histories? Chen achieves the task brilliantly. The historical Joan shares similarities with the woman whose life I've been researching and writing for twenty years. Both Joan of Arc and Anne Askew were religious zealots who were ultimately labeled heretics and burned at the stake—not just for their worlds prescribed for them. Both lived in a deeply patriarchal, blanketly religious age. Chen's Joan is not a saint driven by faith or by hallucinatory voices but rather by her passions for justice, mercy, revenge. She is a warrior, an empath, a visionary, a political and intellectual adept. Chen makes the distinction, in her revealing afterword, between the Joan of the novel and the historical Joan, noting the liberties she had to take with history to create this deeply personal Joan. The result is a powerfully feminist, secular retelling of Sant Joan, perfect for our areligious age. Perhaps the strongest recommendation I can make is to say that, once I'd finished, I turned immediately to read Joan of Arc: By Herself and Her Witnesses, by Régine Pernoud—not to compare but to set the transcribed voices of Joan and her contemporaries contrapuntally with the fully fleshed, fully realized Joan of Katherine Chen's novel. Both remain alive in me long after the covers of the books are closed. Luis Alberto Urrea The Hummingbird's Daughter Back Bay Books I WAS INTRODUCED to Luis Alberto Urrea's work through his lucid and wrenching nonfiction book about a deadly desert border crossing in...
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