Arts Industry Research Articles

The Relationship Between the Development of the Art Industry and the Turnover of Economic Cycles

Abstract: In recent years, the area has grown significantly, creating a trend in art appreciation. This boom has led to a surge in the popularity of museums such as the National Gallery. This project aims to find out more about the economic contribution of art exhibitions. Using advanced time series analysis models including the intervention analysis model and vector autoregressive model, we obtained the following conclusions. First, the positive impact of low levels of economic development and high levels of government expenditure on the arts industry is obvious. Second, the growth of the arts industry has a small impact on most economic indicators. Third, the final impact of GDP on the arts industry is still uncertain due to the complex pattern of the model, with the possibility of a positive correlation with ln (art prices) being observed in the early stages of small GDP growth, while a quadratic pattern may be observed when the GDP index grows above a certain level and art prices fall Conclusion. Further research is needed to investigate the complex relationship between inflation and art prices. Our academic contribution mainly focuses on the multiple-way causal relationships between the economy, art exhibition, tourism, and education, which reveals the underlying mechanism of how art exhibitions promote the economy.

Literature Review on Creative Leadership in Chinese Culture and Arts Industry Managers

With the rapid development of the economy and culture, the creative industry has become the pillar of urban economic growth, and the supply of creative industry personnel has been in short supply. The bottleneck in the development of China’s creative industry is the extreme shortage of creative talent, and the education and training of a large number of creative talents is a great success for China’s creative industry in the future. This study investigated the model of Creative Leadership in China. Xiang (2009) documented that the dual quality superimposing model of cultural industry’s competence can be divided into five dimensions: (1) integrity, responsibility, integrity, fairness, self-control, team spirit, (2) management and management: initiative, public relations, negotiation, marketing, service consciousness. Wang (2016) commented on the status of creative talent competence, judged on the competence of creative talent, conducted empirical research on the competence of creative talent through the design of the research path, and analyzed the data. Li (2007) defines the connotation of the creative industry and the skills of the creative industry, analyses the talents’ ability and quality. At the same time, the concept of competence is introduced, and the competence characteristic model of creative advertising person is established with the example of a creative advertising person. This paper analyzes the strategies for cultivating the competence of creative industrial talents from three levels: society, enterprise, and talent itself.

Digital and AI transformation in the contemporary art industry in China

This study examines the digital and artificial intelligence (AI) transformation in the contemporary art industry in China. This industry in China is undergoing a distinct digital transition and is “ahead” of other countries, having fully integrated digital technologies and AI (digiAI) into policies, regulations, organizations, and professional practices. A systematic, large-scale national integration of digiAI has led to its widespread adoption by artists and arts professionals. However, little is known about how or when this rapid and extensive integration and subsequent adoption occurred or about its impacts on professional practices. This study draws on research conducted between 2023 and 2024, including 30 interviews with contemporary Chinese visual artists, 23 interviews with arts professionals, a survey of 110 professional contemporary visual artists, and a systematic review of government policy. Findings indicate that the government began integrating digital technology into the contemporary art industry in 2016, further promoted digital technology integration in 2021, and introduced regulations to support AI usage in 2023. The data reveal a significant spike in the adoption of digital technologies by professionals between 2019 and 2020, followed by a rise in AI adoption in 2023. DigiAI has been accepted and now used across different kinds of arts professions, various types of visual artists, and several age groups. Digital and AI tools are now being applied in both creative and non-creative aspects of arts practices.

‘Mapping’ China’s Art Industry: Understanding Contemporary China Through Qiu Zhijie’s Maps as a Medium of Cultural Relations

Deeply ingrained in the fabric of Chinese society, calligraphy originated as an ancient art form and is known as the chief of all traditional arts in China. In the current artistic context of the People’s Republic of China (PRC), calligraphy has merged with contemporary art forms to reflect the dynamic changes and realities of the country. Addressing gaps in academic literature focusing on China’s soft power and cultural diplomacy, this paper focuses on cultural relations to develop a people-centered pathway that flows “organically” and enables the understanding of current-day China. Inspired by Anne Marie-Slaughter’s conceptualization of a “web” of networks, this paper employs a case study analysis of specific contemporary artworks by Chinese contemporary artist Qiu Zhijie. Indeed, this paper finds that Qiu’s maps reflect nuances of contemporary Chinese society, showcasing the intricate relationship between calligraphy, contemporary Chinese art forms, and Chinese culture and society. Further, due to the unique combination of Chinese characters and English text, woven together through cartography and Chinese calligraphy, Qiu’s maps provide international audiences with basic tools for understanding cross-cultural nuances and contemporary realities. In the context of international relations, Qiu’s maps may act as a medium for improving the international community’s understanding of current-day China.

Leadership and Curatorship: An Analysis of Power Structures and Influence in the Contemporary Art Ecosystem

In the new era, the power structures within the contemporary art ecosystem have undergone a transformation. With the support of technological advancements and the development of the art industry, the influence of these power structures has been effectively enhanced. However, there remains a gap compared to the influence of power structures in the art ecosystems of developed Western countries. This paper, from the perspective of curatorial leadership and curatorship level, explores the power structures and their influence within the contemporary art ecosystem. It investigates the decisive role curators play in shaping the influence of these power structures and proposes strategies for enhancing curatorial leadership and curatorial capabilities. The aim is to provide valuable insights and references for art institutions and curators in China, encouraging continuous self-improvement and capacity building among curators to contribute effectively to the sustainable development of the contemporary art ecosystem in China.

Legal analysis of the risks in art exhibition contracts from the perspective of international law

International art exhibitions can lead to disputes between multiple parties due to their transnational and complex nature, unlike domestic art exhibitions. The “Kiefer” Chinese painting exhibition triggered a series of controversies that should not be overlooked. Professionals in the art industry should reflect on these controversies to gain insights and promote the development of the field. This article focuses on the “Kiefer” incident to discuss the major risk points in the international art exhibition process. The article is divided into three parts. The first part concerns the selection and application of the law, where parties must carefully consider which laws and international rules to apply. The second part addresses the nature of the contract and liability, examining how the applicable law affects the legal nature of the contract and the obligations of the parties involved. The third part deals with unauthorized disposition and judicial seizure, focusing on issues of good faith acquisition when a party receiving artwork illegally disposes of it without the owner’s permission, as well as the problem of judicial seizure and immunity from judicial seizure of artworks (including cultural relics) involved in litigation.

THE PHENOMENON OF SOCIAL MEDIA IN THE DISCURSIVE FIELD CONTEMPORARY CHOREOGRAPHIC ART

The rapid penetration of social media into all spheres of life dictates the need to shift research attention towards the interactions between social media and art. Global conditions of prevalence have made media communications a leading field for obtaining and representing information. The multimedia tools of modern media in the field of art allow for the continuous expansion of its audience. Consequently, there is a constant search for varied mediation technologies between cultural institutions and society. The aim of the study is to examine the phenomenon of social media as a condition for the representation of the artistic process. The methodological foundation of the research is based on the key concepts of media research pioneers G. M. McLuhan, N. Luhmann, R. Margreiter, and others, as well as the works of several domestic scholars (G. Tasbergenova, G. Begembetov, and others). The main tasks of the article include clarifying key concepts and their theoretical content, as well as analyzing the strategies and tactics of art management in the Astana Ballet theater in the context of the interaction between contemporary choreographic culture and social media. The scientific and practical significance of the research is justified by the need to study and master creative tools for promoting cultural products in the media field of the art industry and the informational mission of art management as a mediator between the author, the art product, and the recipient. In Kazakhstan’s modern media space, a certain experience has been accumulated in influencing society through regular communication about various events in artistic life. An analysis of the PR digital tools used by the Astana Ballet theater reveals their potential for image-building. In its early stages, the theater utilized traditional PR methods with minimal digital content. However, the pandemic amplified the marketing potential of social networks, and now a large part of Kazakhstan’s society turns to media content. The key conclusion is the necessity for the theater to be present not only in sources of information but also in places where like-minded people communicate. The value of this research on the role of social media in the context of contemporary choreographic theater is highlighted by the practical significance of modern art management tools, which open up opportunities for cultural events to influence Kazakh society.

The Industrial Design Model in Italy at the Stage of Formation. The Aemilia Ars Group

The article considers the formation of the industrial design model in Italy in the peculiarity of socio-political conditions at the turn of the 20th century. Orientated towards the prospects of the design industrial culture, the progress of new art tended towards two vectors of development: a strong influence of traditional heritage of the great classical past and passion for modern examples of European design schools. The design, formed within the boundaries of the Italian regional version of the Art Nouveau style, stile Liberty, became a product of a specifically Italian design and artistic culture with a strong designer’s original creative beginning. It allowed freedom of experimentation in the search for its own unique means of expression. The industrial model of design was determined by the experience of the great craft heritage in addition to the influence of the artistic traditions of the new style. The new “revival” of the artistic industry of Italy took place in symbiosis of the activities of an artist-designer and artistic craft and industrial production. The Aemilia Ars group, as a regional design and production association, became an exemplary model of industrial design in Italy. The multidisciplinary structure of the association, which included a collaboration of architects, designers, and artisans specialising in various areas of the art industry, allowed the implementation of interdisciplinary tasks: from architectural restoration to interior design solutions. The group was an example of a unique design culture focused on a scientifically based approach, regional craft artistic traditions and an original style of a creative experiment. The great design-artistic and technological heritage as well as design potential of the Aemilia Ars craft traditions can still be found in the practice of a number of local associations of embroiderers of modern Bologna.

Navigating Green Growth Strategies in the Art Industry's Small Business Landscape

Navigating Green Growth Strategies in the Art Industry's Small Business Landscape

Implementasi Strategi Digital Marketing Sebagai Inovasi Kreatif di Bidang Wirausaha Nails Art

Nail treatment has become an important aspect for all groups of women. The use of fake nails Press on nails has become a popular alternative in the beauty industry, especially in nail art. Recently, the press on technique has become a significant trend among nail art fans. This study analyzes the factors that influence the popularity of press on nails and their impact on the development of entrepreneurial business in the nail art industry. The results showed that the popularity of press on nails in the nail art entrepreneur industry is determined by several main factors such as ease of use, application speed, design variations, and endurance. In addition, effective marketing strategies such as the use of social media and collaboration with influencers also play an important role in increasing the popularity of press on nails.

Barriers to the Development of Art Tourism in Jingdezhen—The Perspective of the ‘Jingpiao’ Community

Jingdezhen, renowned as the cradle of Chinese ceramic art, has embraced new opportunities in the realm of art tourism amidst the global tourism boom. Nonetheless, this growth trajectory is fraught with challenges. This study aims to delve into the obstacles encountered in the development of art tourism in Jingdezhen and to identify the critical influencing factors through qualitative research methods, particularly grounded theory. By conducting in-depth interviews with ‘Jingpiao’ artists who have worked in the art industry in Jingdezhen for three years or more and have interacted with tourists, this research reveals that economic, infrastructure, human resources, government attitude, policy and regulation, promotion, and transportation are significant factors affecting the development of art tourism in Jingdezhen. These factors intertwine to form a complex system that impacts the sustainable development of art tourism in the region. The findings underscore the need for concerted efforts among government, businesses, and artists to optimise these key factors, thereby creating a more conducive environment for the development of art tourism in Jingdezhen. Moreover, this study offers valuable insights and lessons for the development of art tourism in other regions.

Towards an Understanding of the Music Value Chain in Ghana: The Role of Artiste Managers

The Ghana music value chain pivots on the dynamics of the artiste managers who handle the various music genres. Unfortunately, studies on artiste managers, the types of artiste managers, and a detailed description of their training, and general operations are rare in the Ghanaian context. Hence, this study was conducted to shed light on the significant roles of artiste managers for a better understanding of the Ghanaian music value chain. The research used a triangulated approach (qualitative and quantitative) to collect data. The primary research method employed was qualitative through semi-structured interviews (face-to-face and telephone as well as video calls). The quantitative method was employed mainly as a secondary source from the MUSIGA-KPMG Report (2014) among others. The results showed that different types of artiste managers in Ghana are found across different genres captured in the music value chain. These artiste managers are key at the marketing stage of the music value chain. Thus, performance is used as a channel to convey the music of the artiste to the music consumers. Based on the results, it is recommended that the government enact policies that streamline music skills development by making music apprenticeships attractive. This can be done by supporting ongoing efforts by private institutions to develop the artiste. Thus, a public-private partnership is a laudable approach that has far-reaching implications in creating artistes in the country. The study offers useful information that may contribute to nurturing and developing the artiste for social and economic gains. Keywords: Artiste Managers, Creative Art Industry, Music Value Chain, Ghana

Chains of extraction: shifting bioeconomies in India and East Africa.

Since the early 2000s, India has been a world leading hub for cross border reproductive treatments, in particular surrogacy, with the nation positioning itself as the "mother destination" for transnational commercial surrogacy, offering "First world services at Third world prices". State policies, lack of legal regulation, state of the art medical infrastructure and a steady supply of women ready to take on the role as surrogate mothers against meager remuneration have been key factors behind the Indian success story. Yet, a gradual process of regulation in recent years, culminating in the introduction of the Surrogacy (Regulation) Bill 2020, has forced the industry to reinvent itself in order to maintain its role as a market leader in a booming global bioeconomy. This article takes the 2020 bill as a starting point for an exploration of the key trajectories that the Indian reproductive industry has taken since. This includes moving into new market segments, such as the unregulated practice of oocyte donation, and expanding globally into new geo-political contexts. Through these practices, India has successfully rebranded itself as a world leading "pre-conception assemblage hub" where embryos are assembled and implanted into surrogates who carry their pregnancies to term in countries with no protective legislation. The article begins to map the emerging links between the reproductive industry in India and East Africa - where diasporic networks are mobilized in the creation of new reproductive markets, dominated by Indian IVF providers. In particular, we discuss the current expansion in Kenya, which we situate against the backdrop of the colonial entanglements between the two countries. While the ART industry in Kenya is still young, we suggest that these emerging developments illuminate the effect of the ban on commercial surrogacy in India, which appears to have resulted in a partial relocation to countries that lack regulation, shifting the precarious conditions of surrogates in India to other women, elsewhere, in ways that rearticulate colonial racial hierarchies and migration patterns.

Research on the Copyability of AI-generated Image in the Context of the Copyright Law of the PRC - Based on the First Copyright Infringement Case of AI-Generated Image

The first copyright infringement case of AI-generated images was concluded in the first instance, but the related disputes have not been settled. The core issues focus on two aspects: First, whether the works generated by AI should be protected by the Copyright Law of the PRC; Second, under the framework of the Copyright Law of the PRC, how to characterize AI-generated images. From a factual perspective, users of AI models are not creators of AI-generated image; From a value perspective, AI cannot also be considered an author within the meaning of the Copyright Law of the PRC. Therefore, AI-generated image are not copyrightable and should not be included in the object scope of protection by the Copyright Law of the PRC. From the perspective of cost and benefit, there is no need for AI-generated image to be protected by the Copyright Law of the PRC. It will not affect the AI industry to deny the copyability of AI-generated image, but will deal a blow to the commercial art industry, which is conducive to reducing social costs and protecting public interests.

Research on Value and Influence of Chinese Traditional Culture in Contemporary Cultural and Creative Arts Industry

This paper deeply discusses the value and influence of Chinese traditional culture in the contemporary cultural and creative arts industry. First of all, it introduces the basic concept, development course and the role of Chinese traditional culture and cultural and creative arts industry in today's social and economic development. Secondly, it analyzes the application practice of traditional Chinese cultural elements in the cultural and creative arts industry, including product design, creative planning and value dissemination. Then, it deeply analyzes the positive impact of calligraphy, painting, ceramics and other representative fields on the contemporary market after combining modern design concepts. At the same time, the possible problems and challenges in the process of integration are discussed. Finally, this paper summarizes the role of the government in promoting cultural exchanges between China and foreign countries, and looks forward to the future development.

Research on Influencing Factors and Strategies of Art Collection Investment Decision

The realm of art collection holds an irreplaceable position in the long-standing cultural heritage, showcasing the taste and status of the holders from ancient nobility to modern high-net-worth individuals. However, with the development of economic globalization, art collection is not merely a symbol of identity, but also a hot investment target sought after by numerous investors. In recent years, the market value of the global art industry has rapidly climbed, making art gradually an essential component of diversified investment portfolios for investors. The development of the art market has sparked widespread attention from various sectors, prompting scholars and companies to explore, through scientific methods and data analysis, how to maximize the investment returns of art collection. However, art differs significantly from other investment tools in the financial market, involving not only the intrinsic value judgment of the art itself but also complex market environments and individual judgment and psychological expectations of investors. Its unpredictability and unique value assessment system make art collection investment more challenging and research-worthy compared to other types of investments.

Challenges of the Creative Industries in Nigeria: A Case Study of the Performing Arts Industry

Challenges of the Creative Industries in Nigeria: A Case Study of the Performing Arts Industry

Research on the Management and Development Strategy of the Zibo Ceramic and Glass Museum

Purpose – In contemporary China, the promotion of the cultural and art industry is advocated. The cultural and art industry is rapidly expanding into various fields in China with increasingly strong momentum, establishing itself as a leader in Chinese art. accompanied by the quiet rise of culture and art, art museums in China have also emerged. there is a growing demand for the construction of cultural and art spaces by all sectors of society. Design/Methodology/Approach – Based on the management development strategy of the Zibo Ceramic and Glass Museum, according to the cultural and artistic characteristics and style of Zibo, this research adopts the following research methods when writing. the researcher uses the literature research method, by reading a large amount of ancient and modern Chinese and foreign literature, from which it can be glimpsed which aspects of the Zibo Ceramic and Glass Museum can absorb and learn from. Findings – Under the trend of China increasingly valuing the empowerment of the cultural and art industry, people are increasingly welcoming the cultural and art industry with an open attitude, and cultural and creative museums to appreciate and feel the sensory and spiritual enjoyment that the artistic atmosphere brings to them. Research Implications – This study focuses on analyzing the management development strategy of the Zibo Ceramic and Glass Museum. this research focuses on demonstrating the current development status of the Zibo Ceramic and Glass Museum and the setbacks encountered in the development process.

Impact of Selected Fourth Industrial Revolution Technologies on the Music Industry: An Exploration of the Pros and Cons

The fourth industrial revolution (4IR) is changing the creative industry. This article examines the impact of selected technologies within the 4IR—artificial intelligence as well as virtual and augmented reality as case examples—on various aspects of creative production, distribution, and consumption of creative art. Using the theory of knowledge organisation, the article deals with the principles and practices of arranging information and concepts. This qualitative literature review focused on systematically collecting, analysing and synthesising data from existing research to gain a deeper understanding of 4IR from a creative arts perspective. Specifically, the article analyses how 4IR tools influence artistic expression in music and the evolving role of the artist, in addition to exploring the transformation of musical art distribution and audience engagement through online platforms and immersive experiences. The impact of selected technologies on the art industry has both positive and negative consequences. Positive impacts include new forms of artistic creation and collaboration, composition with artificial intelligence, art installations with virtual reality and audience engagement, democratisation of art production and accessibility, opportunities for innovation and growth, new forms of creativity, and better traceability of works. On the downside, there are technological challenges, skills and labour development, disruption of traditional art markets and business models, ethical considerations and concerns about 4IR-generated music art and information overload. This research contributes to a deeper understanding of the complex interplay between technology and artistic practice in the 4IR. Keywords: Creative industry, music, fourth industrial revolution, Artificial intelligence, virtual and augmented reality

Digital Transformation in the Arts Field: Creating New Collaborations in the Digital Arts World

Digital transformation has become a major catalyst in changing the way artists create and collaborate in the art world. This article examines how technological advances, including artificial intelligence (AI), augmented reality (AR), virtual reality (VR), and blockchain, are creating new collaborative opportunities for artists. These technologies not only expand the mediums and methods of artistic expression but also introduce new ways for artists to interact and collaborate, both locally and globally. Through analysis of various case studies and interviews with artists, this article reveals the significant impact of digitalization on the creative process and distribution of works of art. In addition, this article also highlights the challenges faced in adopting digital technology, including copyright issues, data security, and changing art market dynamics. In doing so, this article provides a comprehensive view of how digital transformation is driving collaboration and innovation in the arts world, as well as its implications for the future of the arts industry.