Traditional Art Research Articles

A spirit of service in liberal arts education: the legacy from China’s former Christian universities and the influence of contrasting social contexts

AbstractLiberal arts education in Chinese higher education can be traced back to the liberal arts tradition that existed in China’s former Christian universities prior to the 1950s. The mission and goal of liberal arts education in Chinese contexts focuses on cultivating whole persons to serve their societies. Using data from documents and interviews, the study examines the liberal arts tradition for developing whole persons with a spirit of service in China’s former Christian universities. It also explores to what extent the legacy has been carried on to the development of liberal arts education in contemporary universities in Chinese societies (Mainland China, Hong Kong, and Taiwan). The study provides insight into how some elements of whole person development from faith-based education could contribute to today’s higher education reform in terms of the goals of global citizen cultivation.

Design and Implementation of Digital Protection and Communication Platform for Wangjiang Cross - Stitch from the Perspective of Rural Revitalization

Based on the rural revitalization strategy, an in - depth study on the digital protection and communication of Wangjiang cross - stitch is carried out. The traditional folk handicraft art of Wangjiang cross - stitch is preserved and recorded by means of the new form of digital technology communication. The constructed digital communication platform will present the characteristics such as the centralization of literature materials, the visualization of information presentation, and the diversification of cultural activities. On the one hand, this study conforms to the characteristics of the current era, satisfies people's spiritual needs to a certain extent, and enhances cultural confidence; on the other hand, it also promotes the development of the local economy.

Research on the digital inheritance and development of Weixian paper-cutting from the perspective of intangible cultural heritage

As a traditional folk art in northern China, Weixian paper-cutting has been listed in the national intangible cultural heritage list and has rich cultural connotations and artistic value. However, with the acceleration of modernization and changes in lifestyle, the inheritance of Weixian paper-cutting faces severe challenges, including a decrease in the number of inheritors, shrinking market demand, and a decline in the younger generation's attention to traditional culture. The rapid development of digital technology has provided a new opportunity for the inheritance and development of Weixian paper-cutting. This study aims to explore the application and practice of digital technology in the inheritance of Weixian paper-cutting from the perspective of intangible cultural heritage protection. The study found that digital technology can not only enhance the cultural communication power of Weixian paper-cutting, but also bring it the possibility of innovative design and broaden its marketization path. Through the analysis of the digital practice of Weixian paper-cutting, this paper puts forward countermeasures and suggestions in the future in terms of digital platform construction, policy support and inheritor training, providing a theoretical basis and practical reference for the sustainable inheritance of Weixian paper-cutting.

Crypto-aesthetics: towards a New Materialist theory of NFT art

ABSTRACT The advent of non-fungible tokens (NFTs) in the art world has led to the emergence of a unique aesthetic sensibility, ‘crypto-aesthetics.’ This nascent phenomenon is marked by the amalgamation of digital and traditional art forms, the exploration of decentralisation and blockchain themes, and an emphasis on scarcity and digital ownership. This article proposes to examine the crypto-aesthetic phenomenon of NFT art through the lens of New Materialism, in particular the key concepts of two major New Materialist thinkers, namely Karen Barad and Jane Benett. Our application of New Materialism elucidates crypto-aesthetics as a distinct occurrence stemming from the interplay of object-reality, agency and networks, sociomateriality, and cultural and historical contexts. Utilising the New Materialism perspective to investigate crypto-aesthetics sheds light on the intricate relationships, processes, and consequences shaping the art market vis-à-vis NFTs and digital art. By acknowledging the agency of matter and the entwined nature of human and non-human entities, a more holistic comprehension of crypto-aesthetics’ transformative potential for artistic expression, value generation, and cultural dynamics can be attained. Our theoretical framework offers a novel lens through which to explore and understand the burgeoning world of NFT art and its crypto-aesthetic tendencies.

Research on Khorchin Zasagt Wedding Songs

The nomadic Mongolians have a rich tradition of songs and music, which has retained its distinct characteristics and forms over a long historical period. The traditional culture and art of the Inner Mongolia Autonomous Region of the People's Republic of China are undoubtedly a core component of nomadic culture. Therefore, in this study, we have focused on the traditional songs of the nomadic descendants of the Khorchin Right Wing Front Banner in the present-day Hinggan League. Specifically, we have examined the inheritance and transmission of these songs, their classification, and the social impact and trends associated with them.

Pasto varnish: 3D virtualization of an intangible cultural heritage

The artisanal technique of "barniz de Pasto" (Pasto varnish) in Colombia is an example of an Intangible Cultural Heritage (ICH) that requires urgent safeguarding processes due to a number of factors, including weakened practices, disrupted transmission, and environmental deterioration. The term "Pasto varnish" refers to an ancient artistic tradition from southern Colombia, which was designated as an Intangible Cultural Heritage (ICH) by UNESCO in 2020. This technique entails the decoration of diverse surfaces, including metal and wood, through the application of a thin, malleable film of natural resin derived from the mopa-mopa shrub (Elaeagia pastoensis L.E. Mora), which exhibits the capacity to adhere to a range of surfaces. This article presents the results of the 3D virtualization process of 22 heritage pieces from this technique, which are exhibited on the Virtual Pasto Varnish (VPV) website. The construction of this website entailed the implementation of three domains of virtualization: (i) 3D Documentation, wherein data pertinent to the heritage were collated; (ii) 3D Representation, wherein 3D material corresponding to the heritage artifact was created; and (iii) 3D Dissemination, which facilitated the dissemination and conservation of the 3D data. The results of this project demonstrate that virtual heritage can serve as a collaborative instrument for the integration, safeguarding, and promotion of research on ICH through the data, paradata, and metadata obtained during the 3D virtualization process. This article puts forth the proposition that virtual heritage makes significant contributions to ICH, particularly in regard to the continual recreation of living heritage through self-recognition, the dynamic conservation of its artifacts, and the contextualized research of its data. It can be concluded that for ICH materialized in artifacts—such as the case of Pasto varnish—virtual heritage becomes an important preservation tool when tradition bearers can be actively engaged in the process of "reviving the aura" of the heritage data.

Mechanical Properties Inside Origami-Inspired Structures: An Overview

Abstract In recent decades, origami has transitioned from a traditional art form into a systematic field of scientific inquiry, characterized by attributes such as high foldability, lightweight frameworks, diverse deformation modes, and limited degrees of freedom. Despite the abundant literature on smart materials, actuation methods, design principles, and manufacturing techniques, comprehensive reviews focusing on the mechanical properties of origami-inspired structures remain rare. This review aims to fill this void by analyzing and summarizing the significant studies conducted on the mechanical properties of origami-inspired structures from 2013 to 2023. We begin with an overview that includes essential definitions of origami, classical origami patterns, and their associated tessellated or stacked structures. Following this, we delve into the principal dynamic modeling method for origami and conduct an in-depth analysis of the key mechanical properties of origami-inspired structures. These properties include tunable stiffness, bistability and multistability, meta-mechanical properties demonstrated by origami-based metamaterials, and bio-inspired mechanical characteristics. Finally, we conclude with a comprehensive summary that discusses the current challenges and future directions in the field of origami-inspired structures. Our review provides a thorough synthesis of both the mechanical properties and practical applications of origami-inspired structures, aiming to serve as a reference and stimulate further research.

Taking Advantage of the Aesthetic Values of Asiri Art Decorations to Enrich and Sustain the Printing of Modern Women’s Clothing Supplements to Preserve Saudi Heritage Using Artificial Intelligence Techniques

Sustainability is the result of modern-day design philosophy as a result of major industrial developments and many conflicts and wars. This concept is what prompted this research to focus on the possibility of achieving the principles of sustainability practically - in field reality - through the use of artificial intelligence techniques to create contemporary designs derived from the Saudi Asiri heritage and employ them in printing sustainable clothing supplements. Heritage-inspired design has cultural meaning and importance, and its purpose is to transmit our heritage to our emerging generations, and therefore it is considered a type of sustainable thought. The Asir region in the Kingdom of Saudi Arabia has a rich heritage that is greatly influenced by the charming nature of the place. The Asir region is distinguished by the art of the “Asiri Cat,” which consists of engravings, lines, and aesthetic formations engraved by women specialized in this field. They inherited this art from the women who preceded them. Asiri art is distinguished from other arts. The use of bright natural colors such as blue, green, orange, black and white, as the Asir region is considered one of the important heritage and tourist areas within the Kingdom of Saudi Arabia, has played a pivotal role in enriching the cultural and creative stock not only of the Saudi citizen, but also of the Arabian Gulf region. This is what prompted us in the current research to delve into the analysis of the creative and artistic aspects of Asiri art inscriptions and to benefit from the aesthetic values of Asiri art decorations in contemporary artistic designs that achieve sustainability for the purpose of exploiting them in the manufacture of plastic fittings for clothing supplements to serve small industries. Many diverse designs have been implemented using different printing techniques. From (direct drawing method - stencil printing - pictorial screen printing) the use of different types and colors to implement different products to produce clothing accessories that are closely related to the structure of form and content of Al-Qat Al-Asiri art, and depends on its aesthetic philosophy about the heritage and cultural references associated with the place and the artist’s own vision. To revive Saudi heritage. The research aims to take advantage of the geometric and floral decorative elements in Al-Qat Al-Asiri’s artistic engravings as a source for enriching and sustaining printed designs for women’s clothing supplements that are characterized by authenticity and contemporaryness, and preserving popular motifs by reformulating them. In keeping with the times, and preserving its most prominent features, in a way that enhances belonging and preserves the community’s heritage and values. From extinction, endless horizons of creativity and innovation have been achieved in the field of printing clothing supplements, and sustainable plastic repetition, which the designer or art practitioner resorts to in general, and the field of printing in particular, as a creative pluralistic plastic method.The research followed the descriptive and analytical approach in identifying the origins and characteristics of the Asir artistic inscriptions (the cat), analyzing their vocabulary, reformulating them, and drawing inspiration from them to enrich the printed designs of women’s clothing supplements, in addition to the experimental approach in the applied study through the use of different techniques and materials. The results of the study concluded that there are various aesthetic values in the Asiri cat engraving that can be used to create contemporary designs on clothing accessories using different printing techniques, in order to preserve the Asiri heritage in the southern region of the country. The study recommended the need to pay attention to studying heritage and the arts it contains because of its great importance, as it stimulates appreciation of traditional art and preserves it.

Exploration of Teaching Reform in Emergency Management Courses under the "New Liberal Arts" Context

The "New Liberal Arts" initiative advocates breaking free from traditional liberal arts thinking, fostering cross-disciplinary integration and fusion across multiple fields, while shifting the focus from discipline-centric to socially-driven needs. In this context, emergency management courses must adapt to the evolving demands of talent cultivation and educational reform. This paper outlined four key requirements, examined the current state of course instruction, and proposed reform measures such as enhancing practical training, strengthening industry-education integration, incorporating interdisciplinary knowledge, and embedding ideological and political elements. These efforts aimed to comprehensively improve teaching quality, cultivating emergency management professionals equipped to meet the challenges of the new era.

Cross-disciplinary perspectives on Nuo opera: bridging the gap between art, culture, and society in Guizhou

One of the most popular folk operas in China is the Nuo opera. Nuo opera, which is distinguished by its distinct elements such as vicious masks, peculiar clothing and jewelry, peculiar language spoken during performances, and enigmatic scenarios, has been named one of China's intangible cultural legacies. The opera is a religious act that is fundamental to the Chinese folk religion known as Nuoism. Nuo opera is performed to ward off evil spirits, illnesses, and other influences. It also serves as a prayer request to the gods for favors. Nuo opera features singing and dancing, as well as masks and costumes for the performers. This research explores Nuo opera, a traditional performance art form that is deeply established in the cultural and social structure of Guizhou using a cross-disciplinary technique that unites art and culture. Sociocultural influence, the study examines how, in a setting that is changing quickly, Nuo Opera acts as an interface for social unity and cultural continuity. The distinct features that this culture exhibits, together with the numerous benefits that the society's sustained growth has brought subsequent such as cultural, social, and economic values, among other significant elements. This study emphasizes interdisciplinary analysis, and its goals are to improve our understanding of the cultural value of Nuo Opera and provide useful insights for ensuring its persistent presence and significance in Guizhou society.

DESIGN OF E-MODULE TEACHING MATERIALS BASED ON LOCAL WISDOM FOR BIPA LEARNING

This research aims to design teaching materials in e-modules that integrate local wisdom to increase the effectiveness of learning Indonesian for Foreign Speakers (BIPA). In the era of globalization, understanding local culture is important to support a more contextual and authentic language learning process. The e-module developed in this research focuses on introducing and understanding local Indonesian culture, such as customs, traditional arts, and social values. This development model uses the Borg & Gall development model, namely preliminary study, research planning, design development, preliminary field test, revision of limited field test results, main field test, revision of wider field test results, feasibility test, final revision of feasibility test results, and dissemination and implementation of the final product. Data collection at the pre-development stage was carried out using a questionnaire validation instrument. The type of data in this research is qualitative data. Qualitative data was obtained from expert test questionnaire validation in the form of data resulting from comments, criticism, and suggestions in the form of nonverbal data at the pre-development stage.

The influence of different intensity of Tan Tui exercises on the posture control of students in the Tai Chi Elective Course: protocol for a randomized controlled trial

BackgroundTai Chi (TC) holds a unique and valued place in promoting the physical and mental health of college students. Its significance is underscored by its incorporation as a compulsory physical education course in every university in China. TC, with its rich tradition, places a strong emphasis on posture control as a core sports ability. However, the students in Tai Chi Elective Course (TCEC) have very poor posture control ability. This study protocol investigates the potential of Tan Tui (TT) to address these issues, as TT is a fundamental skill for beginners of traditional Chinese martial arts and has a track record of enhancing lower limb strength and balance, making it a promising choice for improving posture control in TCEC.Methods/designTo investigate the impact of different intensities of TT exercises on posture control in TCEC students, we have designed a randomized, double-blind, parallel-controlled trial. Seventy-six students in the TCEC will be randomly divided into low-intensity Tan Tui (LTT), medium-intensity Tan Tui (MTT), and high-intensity Tan Tui exercises group (HTT) and control group (CON), each with 19 people. The LTT group, MTT group, and HTT group will be given different intensity of TT exercises, and the CON group will be given regular TCEC. The intervention period will be 6 weeks (2 times a week, 20 min each time). At baseline (before), 4 weeks of intervention (middle), and 6 weeks of intervention (after), the Unipedal Stance Test (UST), the Star Excursion Balance Test (SEBT), 60°/s angular velocity knee joint flexion and extension relative peak torque (RPT), and knee joint position perception (KJPP) will be evaluated.DiscussionThis is the first randomized controlled trial protocol from the perspective of training intensity to evaluate the effect of different intensity of TT exercises on posture control of students in TCEC. Should our research reveal a significant intervention effect, the results will offer preliminary, higher-quality evidence supporting the positive impact of varying intensities of Tan Tui exercises on posture control in TCEC students.Trial registrationChinese Clinical Trial Registry ChiCTR2000039109. Registered on October 17, 2020.

The Phenomenon of Trance in The Tradition of Kuda Lumping Arts in Jorong Wonorejo, Nagari Lubuk Gadang Selatan, South Solok Regency, West Sumatra Province

This study discusses the "Trance Phenomenon in the Kuda Lumping Art Tradition in Jorong Wonorejo, Nagari Lubuk Gadang Selatan, Solok Selatan Regency, West Sumatra Province". The purpose of this study is to describe the procession and factors causing kuda lumping players to experience trance in Jorong Wonorejo. This study uses the phenomenological theory by Edmund Husserl, in this study supported by qualitative methods in order to describe the data from the field. The data collection techniques are field observation, interviews (in-depth interviews), and documentation. Data analysis techniques used in this study include data collection, data reduction, data presentation, and drawing conclusions. The results of the study showed that researchers found several processions in the kuda lumping tradition including, the preparation stage, the implementation stage, the event begins, and the last is the healing process, then there are several supporting tools such as, Gendang, Saron, Demung, Saron penyerang, Bonang, Bonang sukses, Kenong, Gong, Mask, Barongan, and the last is Pecut and Kuda- kudaan. There are several factors that influence the trance phenomenon in the kuda lumping tradition. The first factor is the factor of experiencing, the second is the spiritual factor, the third is the song and music factor. There are other interesting things in the form of the transition of endang which was originally fierce to endang with a funny character. This tradition has its own uniqueness, especially the trance phenomenon, which makes the Wonorejo community interested in witnessing this tradition

Penguatan Pendidikan Karakter pada Generasi Muda Melalui Personifikasi Karakter Pandawa dalam Wayang Kulit

The main problem discussed in this research is the negative impact of modernization which has the potential to damage the character of Indonesia's young generation. This research aims to explore the potential for character education through the application of Pandawa character personification in the traditional art of Wayang kulit. The method used is descriptive qualitative, by analyzing the representation of the Pandawa characters in Shadow Puppets and the values ​​contained therein. Research findings show that Wayang kulit not only maintains local wisdom values, but also carries moral messages and character values ​​that can be adopted by the younger generation. The personification of the Pandawa character highlights positive traits such as courage, loyalty and leadership, which are relevant to character education. The conclusion of this research is that Shadow Puppetry can be an effective tool for strengthening the character of the younger generation, while maintaining Indonesia's cultural heritage. The application of the results of this research can be the basis for developing a culture-based character education program, which is expected to produce a young generation who are responsible and have noble values.

О киносериале «Трудно быть мужчиной», его герое и некоторых особенностях японской культурной традиции (новая редакция)

This article is an attempt to analyze the content of the longest Japanese movie series “It’s Tough Being a Man”. The fifty-episode film, spanning over 50 years, was directed by the distinguished Japanese filmmaker Yoji Yamada, who also wrote the screenplay for the series. The article examines the circumstances of the film creation, its compositional, genre, and conceptual features, as well as its connection to Japan’s social history and the development of Japanese cinema. Characteristics of the main characters of the film are provided, the reasons for the popularity of the movie series are explored, along with its cinematic language and style, and its relationship with American cinema and Japanese artistic tradition. The image of Kuruma Torajiro (the main character of the film) is compared with the image of Superman in American movies, as well as with the images of the Russian fool (including fairy-tale characters), and with the character of Prince Myshkin from Fyodor Dostoevsky’s novel “The Idiot”. The author of this article concludes that Yoji Yamada’s work has become a significant cultural event of Japan in the last third of the 20th century and is still of great importance.

Symbolic Interpretations of Mah Meri Visual Art: A Conceptual Approach Using Peirce’s Semiotic Theory

This study examines the visual art heritage of the Mah Meri tribe through a semiotic analysis. Utilizing Charles Sanders Peirce's Semiotic Theory as the foundational framework, the research decodes the symbolism embedded in Mah Meri's artistic expressions. The aim is to understand and document the deep meanings behind these symbols and their impact on the cultural identity and historical narratives of the Mah Meri tribe. An ethnographic approach is employed for data collection, including field observations, photographic and videographic documentation, and qualitative interviews with community members. The findings reveal that Mah Meri's art is rich in symbolic meanings that reflect the tribe's cultural identity and history. The study also highlights the negative effects of modernization on traditional art forms, necessitating urgent preservation efforts. This research makes significant contributions to the field of visual anthropology by emphasizing the importance of semiotic analysis in understanding and preserving indigenous art. It calls for increased efforts in documenting and protecting the visual heritage of the Mah Meri tribe to ensure its transmission to future generations.

COMMUNICATION PATTERNS OF WAYANG GOLEK PUPPETEERS IN PROVIDING SOCIAL CRITICISM MESSAGES TO THEIR AUDIENCES IN BANDUNG REGENCY

This study aims to investigate the communication patterns of wayang golek puppeteers in Bandung Regency as they deliver social criticism messages to their audiences. The primary objective is to understand how traditional wayang golek performances can address contemporary social issues while engaging audiences in meaningful dialogue. Employing a qualitative research methodology, this study utilized direct observations and in-depth interviews with key participants, including wayang golek puppeteers and audience members. The data collection involved attending live performances, analyzing the content and delivery of social critiques, and conducting interviews to gain insights into the effectiveness and reception of these performances. The findings reveal that Wayang Golek puppeteers employ interactive techniques to engage their audiences, incorporating contemporary issues into traditional narratives to provoke thought and reflection. The performances demonstrate a successful adaptation of cultural practices to address modern societal challenges, fostering a participatory dialogue between the puppeteers and their audiences. The study highlights the role of cultural symbols and allegories in bridging traditional values with contemporary social critiques and underscores the importance of maintaining cultural heritage while addressing current issues. The results contribute to the broader discourse on participatory communication and the role of traditional art forms in societal change.

Analisis Kebudayaan Batak Pakpak di Sumatera

Batak Pakpak regional culture is an integral part of the richness of Indonesian culture spread across the Sumatra region. Geographically, the Pakpak Batak tribe inhabits the high hilly areas around the North Tapanuli area. Their culture encompasses various aspects, including language, customs, traditional arts, music, dance, and unique beliefs and value systems. The customs of the Pakpak Batak tribe are very strong in everyday life, with norms that regulate various aspects of social, economic and religious life. Traditional arts such as carving, weaving and stone carving are deep cultural expressions and have high value for the Pakpak people. Apart from that, traditional Batak Pakpak music and dances, such as gondang sabangunan and tortor, are important media in traditional ceremonies and cultural festivals. They are also known for their beliefs and value systems that value living in harmony with nature and the continuity of generations. This research aims to dig deeper into the cultural diversity of the Batak Pakpak in Sumatra and understand the role and cultural values in strengthening their identity. Through this analysis, it is hoped that it can provide a more comprehensive picture of this cultural richness and its implications in the context of Indonesia's cultural diversity.

Sosialisasi Budaya Kesenian Calung Salakadomas di Dusun Kelewih Desa Saguling Kecamatan Baregbeg Kabupaten Ciamis

This research is behind the background of the influence of foreign cultural transformation which is today a real threat to traditional culture. This can lead to the weakening of the values of traditional cultural art and have a major impact on the survival of traditional art in society, one of which is the anti-traditional art. Calung is a traditional musical instrument commonly played in popular performances in society, but the popularity of Calung is now declining due to the influence of foreign cultural transformation. This is supported by public surveys that show that foreign musical instruments are more popular and popular with the general public than traditional music instruments. This research aims to introduce and expand public understanding of the traditional cultural wealth of one of the Traditional Art of Calung that exists in the village of Saguling Prefecture Baregbeg district of Ciamis. The method used is qualitative descriptive method with the type of case study. This investigation was carried out against the figures of the academic anti-artists. The data collection techniques used are observations, interviews and documentation. The results of this study show that there are still societies that maintain the traditional anti-art in the midst of evolving times that are constantly changing.

The Historical and Musical Characteristics of the Henan Qu Chinese Opera Troupe in the Social Context

Background and Aims: Chinese Opera, specifically the Henan Qu Chinese Opera Troupe, embodies a rich tapestry of cultural heritage and artistic expression that has evolved through centuries. The study aims to investigate the historical and musical characteristics of the Henan Qu Chinese opera troupe in the social context. Materials and Methods: Employing a qualitative research design, the study utilizes ethnographic fieldwork, semi-structured interviews, and archival research. Participant observations during performances, rehearsals, and cultural events, along with interviews with troupe performers, directors, and cultural experts, provide a multifaceted perspective on the opera’s evolution and current practices. Archival documents and recordings complement these insights by tracing the troupe's historical development. Results: The research highlights how the Henan Qu Chinese Opera Troupe has navigated significant historical upheavals and adapted to contemporary challenges while maintaining its distinctive musical and theatrical identity. Innovations in performance and outreach have helped sustain interest and relevance among newer audiences, demonstrating a dynamic interplay between preserving traditional art forms and embracing modernity. Conclusion: The Henan Qu Chinese Opera Troupe exemplifies the successful adaptation of traditional cultural expressions to modern contexts, underscoring the importance of innovative strategies in audience engagement and artistic collaboration. The study underscores the potential of traditional arts to remain culturally and socially relevant, offering insights into broader strategies for cultural preservation.