Context Of Art Research Articles

Sublimul trădării

In his volume, "The Sublime of Betrayal", Sorin Crișan meditates on the role of theater as a living mirror of life. The book discusses the concept of working through an artistic context, in contrast to a psychoanalytic one, and discusses the concept of Brechtian distancing and mimesis, inspired by Roland Barthes, emphasizing the interplay between thought and perception in contemporary theatre. The themes of the sacred and the profane are discussed in relation to Mircea Eliade's theories and Husserl's phenomenology, to highlight how theater transcends everyday reality and opens new perspectives on human existence. The volume thus becomes a thorough analysis of the theater as a space of imagination and reflection, combining aesthetics and philosophical discourse finally, exploring the diversity of theatrical forms, from ritual to performance. Sorin Crișan significantly contributes to the understanding of theater not only as a performing art, but also as an intellectual and spiritual process, inaugurating specific ways of cognition for both the actor and the spectator.

Portal Project as a Study of Digital Sculpture in the Public Space in the 21st Century

This article examines the effects of digital technologies on art in the 21st century and the transformation of art in the public sphere. After the Internet revolution, significant progress has been made in areas such as artificial intelligence, big data, the Internet of Things (IoT), blockchain, and biotechnology. These technologies have also created significant transformations in art disciplines, offering artists new forms of expression such as virtual reality, augmented reality, and interactive installations. Today, one of the main goals of public art practices, which also use these new forms of expression, is to convey social, cultural, and political messages by reaching large segments of society. Digital art, on the other hand, transforms these practices, offering viewers more interactive, participatory, and innovative experiences. The article discusses how digitalization transforms the social context of art through the discussions of Jürgen Habermas, Hannah Arendt, Henri Lefebvre, and Michel Foucault on the concept of public space. What these theorists have in common is that they emphasize that the public sphere is a central concept for understanding and transforming society's political, social, and cultural structure. While Habermas sees the public sphere as the ground for democratic debates, Arendt considers this space an arena based on the visible actions of individuals. While Lefebvre argues that the public sphere is constantly reproduced by social relations and power dynamics, Foucault, on the other hand, draws attention to how the relations of power and surveillance shape this field. With the approaches of these theorists, it has been tried to associate the redefinition of the public sphere through digitalization and the transformative role of art in this process. In addition, Benediktas Gylys' Portal Project, a public artwork discussed in the axis of all these discussions, aims to strengthen cultural and social ties by combining digital sculpture and relational aesthetics. While the project aims to increase the interaction of different cultures through live video connections between cities, it also raises important ethical questions about surveillance and privacy. In addition, it has been examined that the new forms of expression and interaction methods offered by digital technologies make public spaces more dynamic and democratic and strengthen the role of art in social interactions.

Artemisia Gentileschi and the ‘biographical sensationalism’ in the interpretation of her artistic work

ABSTRACT The aim of the present work is to examine in detail the figure of the Italian painter, Artemisia Gentileschi (1593–1656?), whose work is of great interest but passed unnoticed in the academic world for a long time. This article departs from the structural position of women in art as a theoretical background, in order to understand the life, work, and historical recognition of Gentileschi. Later, through an analysis of her artistic context and the personal events that conditioned the interpretation of her work, we focus on Gentileschi’s female heroes that she depicted. In conclusion, it can be said that the biographical sensationalism to which her artistic production has been subjected has overshadowed the artistic value of her work, in submitting it to a search for Gentileschi’s real feelings contained in it.

From the player to the sponsor: exploring the interplay of attitudes in MMA sports sponsorship

PurposeThis study aims to investigate the complex dynamics of sports sponsorship within the context of mixed martial arts (MMA). Specifically, it explores how audience attitudes toward MMA influence their perceptions of players and sponsors, and subsequently, how these attitudes affect brand perceptions and purchase intentions. Furthermore, this research examines the moderating effect of fans' attitudes toward MMA on the relationship between their attitudes toward sponsors and their purchase intentions. MMA was selected as the focus of this study due to its propensity to evoke more intense emotional responses than other sports, as evidenced by previous research.Design/methodology/approachStudy 1 was conducted to systematically assess the emotional responses elicited by MMA. This preliminary study involved 277 participants. Building on the findings from Study 1, Study 2 employed an online survey to investigate the relationships among various constructs related to MMA. This survey was facilitated through an external portal and included a sample of 459 participants residing in the United States. The constructs measured in this survey were attitudes toward the player (ATP), attitudes toward the sponsor (ATS), perception of brand quality (PBQ), purchase intention (ITP) and attitudes toward mixed martial arts (ATM).FindingsThe study reveals that respondents rated MMA the most negatively among the analyzed sports, with the highest standard deviation, indicating that MMA evokes extreme emotional responses. The findings confirm that attitudes toward the player positively influence attitudes toward the sponsor, aligning with sponsorship-linked marketing theory. Moreover, positive attitudes toward the player were found to enhance perceptions of the sponsor’s brand quality. The research further demonstrated that attitudes toward the sponsor and perceptions of brand quality mediate the relationship between attitudes toward the player and purchase intentions, underscoring the complex nature of consumer decision-making in MMA sponsorship.Originality/valueThis research provides novel insights into the critical role of audience engagement and personal connection with sports in formulating effective sponsorship strategies. It emphasizes the need for marketers to tailor their approaches to align with the sport’s personal significance to the audience, employing narratives that resonate with their identities and values. Enhancing player-sponsor associations through co-branded campaigns and endorsements is essential. Furthermore, consistently maintaining high product quality and fostering emotional connections with the sport are key strategies to drive increased purchase intentions.

Perceived Meaningfulness of Semantically Noncongruent Stimuli Increases in Art Context

Abstract The media occasionally report instances where people mistake ordinary objects for art. This often happens in art galleries or museums and might suggest that people attribute meaning differently depending on whether the context is artistic or rooted in everyday life. In this manuscript, we investigate how people attribute meaning to seemingly nonsensical sentences and images when they believe they are made by poets or artists. We used a collection of sentences that conclude with semantically congruent and noncongruent words, and a collection of images where the object is either congruent or noncongruent with the background. We randomly assigned participants to the baseline and experimental (art) conditions, telling participants in the art condition that the sentences/images were created by artists. Studies 1 and 2 found that the art context increases the perceived meaningfulness of noncongruent sentences (‘Most cats see well at court’), but not the congruent ones (‘Most cats see well at night’), while Study 3 found a similar effect regarding noncongruent images (a lion in an office) and congruent images (a lion in a field). Additionally, we discuss how individual differences in aberrant salience and religiosity moderate the main effects of the art context on meaning-making. These results advance our theoretical understanding of how art contexts affect the interpretation of meaning and the importance of semantic noncongruency.

Research on the Construction of Translation Technology Teaching and Language Service Talent Training System under the New Liberal Arts Context

The rise of technologies like machine-assisted translation and terminology management is transforming translation education and industry. The 2020 Teaching Guide for Undergraduate Translation Major formalized translation technology as a core course, supporting professionalization. However, research on translation technology teaching in China remains limited and often lacks practical application. Ethical issues, such as AI-related privacy and intellectual property concerns, are also growing. This study proposes a framework to enhance translation technology education, aiming to better align teaching with industry needs and cultivate skilled professionals.

Villas and Vanguards: Thornton Wilder in Capri in 1920

Abstract This article deals with Thornton Wilder’s early European travels, focusing on his experiences in Italy during the autumn of 1920, which played a crucial role in shaping his nascent literary career. Specifically, it examines his time in Sorrento and Capri, where the local culture and landscape left an indelible mark on him and provided the inspiration for his unfinished play, Villa Rhabani. Exploring Wilder’s interactions with contemporary expatriate artists and intellectuals and his immersion in the local Italian milieu, the article seeks to illuminate the biographical and environmental influences that informed his play. The article situates Villa Rhabani within the broader context of other writers and artists who were also on the island of Capri, highlighting the interplay between Wilder’s lived experiences and his creative output. Furthermore, it addresses the speculation that Wilder visited Capri, drawing from detailed descriptions in his manuscript that suggest firsthand familiarity with the island.

Research on the Multilingual Talent Cultivation System Empowered by AI under the New Liberal Arts Context

This paper explores the AI (artificial intelligence) empowerment in foreign language education within the context of “New Liberal Arts” and its impact on a diversified foreign language talent cultivation system. Though challenges brought by AI, AI empowerment could facilitate the foreign language discipline development. Drawing upon this basis, the paper further explores the breakthroughs in foreign language talent cultivation. That suggests a shift from information tools to character education, from language proficiency to core competency strengthening, from single-discipline to interdisciplinary talent cultivation, and from imparting language knowledge to advancing general education understanding. This paper proposes paths for diversified foreign language talent cultivation in the AI era, including AI empowerment character education cultivation approaches, the construction of a diversified curriculum system, the innovation of interdisciplinary curriculum clusters, AI empowerment reshaping of digital teaching practice settings, and AI empowerment reconstruction of foreign language digital teaching resources. With those approaches, the adjusting focus and methods of foreign language talents cultivation, an effective Multilingual Talent Cultivation System will be established with international perspectives, cross-cultural communication skills, and innovation capabilities to meet the development needs of the AI era.

Research on the Construction Path of the Mongolian-Chinese Translation Major in Colleges in Ethnic Regions under the New Liberal Arts Perspective

Under the new liberal arts context, the construction of college majors is showing a trend of interdisciplinary and integrative innovation. The Mongolian-Chinese translation major in ethnic regions, as a vital support for the inheritance of minority language and culture and social development, faces the challenge of adapting to the demands of the times and improving the quality of talent cultivation. This paper analyzes the current construction status of the Mongolian-Chinese translation major in ethnic region colleges and the challenges it faces within the new liberal arts framework. It proposes paths such as optimizing the curriculum system, building a strong faculty team, reforming practical teaching, and applying information technology. Additionally, the paper discusses innovative training models, the integration of cultural heritage and modern demands, and international development strategies, providing practical suggestions for the construction of the Mongolian-Chinese translation major in ethnic region colleges, aiming to promote innovation and sustainable development of the major in the new era.

Night Landscapes of Autopsia

This study explores the underground artistic project Autopsia from Vojvodina, examining its visual, textual and musical works within the context of ex-Yugoslav avant-garde, neo-avant-garde and postmodern art. The focus will be on Autopsia’s latest project Steel Books, which are unique art objects that incorporate diverse cultural questions. Steel Books recontextualize ancient motifs of night and death, resonating with similar themes found in Baroque art and literature. Autopsia combines the Baroque method of discordia concors with postmodern eclecticism, but rather than celebrating the neoliberal ‘free market” of cultural artefacts, it offers a critical perspective.

‘Mapping’ China’s Art Industry: Understanding Contemporary China Through Qiu Zhijie’s Maps as a Medium of Cultural Relations

Deeply ingrained in the fabric of Chinese society, calligraphy originated as an ancient art form and is known as the chief of all traditional arts in China. In the current artistic context of the People’s Republic of China (PRC), calligraphy has merged with contemporary art forms to reflect the dynamic changes and realities of the country. Addressing gaps in academic literature focusing on China’s soft power and cultural diplomacy, this paper focuses on cultural relations to develop a people-centered pathway that flows “organically” and enables the understanding of current-day China. Inspired by Anne Marie-Slaughter’s conceptualization of a “web” of networks, this paper employs a case study analysis of specific contemporary artworks by Chinese contemporary artist Qiu Zhijie. Indeed, this paper finds that Qiu’s maps reflect nuances of contemporary Chinese society, showcasing the intricate relationship between calligraphy, contemporary Chinese art forms, and Chinese culture and society. Further, due to the unique combination of Chinese characters and English text, woven together through cartography and Chinese calligraphy, Qiu’s maps provide international audiences with basic tools for understanding cross-cultural nuances and contemporary realities. In the context of international relations, Qiu’s maps may act as a medium for improving the international community’s understanding of current-day China.

Synthesis of Arts by means of Sculpture Forms

The purpose of the work is to characterise the syncretism of sculptural forms in the development of monumental Ukrainian sculpture; emphasise the national features of the development of national sculpture on the example of the works of modern Ukrainian sculptors. The methodology of the work consists in the principles of holistic and systemic approaches to the study of the synthesis of arts in the sculptural forms of Ukrainian artists. An analytical method was applied to study scientific approaches to the synthesis of arts, as well as an artistic-stylistic method, as well as a system-functional method to the structuring of artistic works as a phenomenon of modern monumental sculpture. The scientific novelty of the study consists in the discourse on the synthesis of arts in the art history environment, characterising some works of art that belong to the category of monumental sculpture. Conclusions. It should be noted that in the Ukrainian art space there is a synthesis between classical forms and intermedia installations, which creates a complex and multi-layered context for modern artists. The perception of time, space and material becomes plastic and changeable, and this, in turn, stimulates the development of new aesthetic forms. Sculptural images have a significant influence on the formation of styles of young artists, where the emphasis is not only on silhouettes, but also on specific elements originating from various forms. Artists build associative visual sequences, embodying unrealistic, yet deeply symbolic images that resonate with viewers on an emotional level. In the examples from the workshops you mentioned, we see how a variety of materials and art forms and execution methods are used to create coherent and complete images that reflect the synthesis of different arts. The theme of the synthesis of arts in different sculptural forms, which sometimes seem completely incompatible, is indeed one of the most relevant for research.

Main routes and attractions of Crimea in the sphere of art tourism

This article examines the key routes and attractions of Crimea, which play a significant role in the development of art tourism on the peninsula. Crimea, with its rich historical and cultural heritage, attracts artists, writers and art lovers from all over the world. In the article, we analyze the most interesting points, such as: Bakhchisarai, Yalta, Sevastopol and Simferopol, where art galleries, museums, plein airs and cultural events are concentrated. Particular attention is paid to places of nature that inspired famous artists, as well as modern art spaces that contribute to the development of creative initiatives. During the study, we note the impact of art tourism on the economy of the region and its potential for the sustainable development of the cultural environment of Crimea. The article also includes recommendations for organizing cultural routes for tourists, taking into account the artistic context, which contributes to immersion in the unique atmosphere of Crimean art.

Brilliant blue: The blue rock art of Awunbarna, Northern Territory, Australia

Within the extensively painted rockshelters of Awunbarna (Mt Borradaile) in western Arnhem Land, appears a cluster of paintings that are conspicuous amongst the traditional white, red, yellow, and black figures. Brilliant blue pigment has, for generations, captured the imagination of local Aboriginal community members and visitors, including rock art researchers. This rock art was created using laundry whiteners (such as Reckitt’s Blue) during a period of intense change in the region brought about by European arrival. This paper explores the largest documented cluster of laundry blue rock paintings in northern Australia. We investigate the subject matter, distribution, and manner of use at Awunbarna alongside its broader cultural and artistic context. We find that laundry blue rock art emerges as part of a flurry of innovative rock art being created in this region at the turn of the nineteenth–twentieth century and continuing, in rare instances, until the 1960s. We argue that blue paintings and the Painted Hand Figures represent two relatively short-lived, innovative experimental phases within an art-making tradition with Awunbarna as the epicentre for this rock art movement. Likewise, we suggest a very small number of artists may be responsible for the blue rock art of Awunbarna indicating its use may have been restricted to artists of a certain status.

Psychedelic: An Illustration that Reveals False Power in Rhythm 0 Performance Art

The performance art entitled Rhythm 0 by Marina Abramovic is controversial, raising various questions regarding its power and influence in the context of art. This research aims to illustrate the microphysical approach to power in the performing arts Rhythm 0, where power emerges from fear and shifts to the dominance of the ideology of power. A qualitative approach with visual analysis techniques was used in this research to explain the phenomenon of this performing arts from a very subjective view. This created illustration entitled "Psychedelic" reveals false powers in the form of intense hallucinations involving auditory, visual and feeling experiences in the Rhythm 0. The basic principles of art were used as the basis for creating this illustrative work. In this case, the use of gold leaf, peony flower elements and halos in the illustration also has a solid symbolic value, so semiotics is used as a basis for giving meaning to the symbols used. The results of this research show that the apparent power contained in the Rhythm 0 performing arts can be revealed through an illustration entitled "Psychedelic", which describes the context of the artwork in depth. This research contributes to understanding Rhythm 0's artwork and enriches knowledge about using psychedelic illustrations as a medium for artistic expression. This research also highlights how these illustrations can communicate complex themes in the performing arts, strengthening our understanding of power dynamics in arts contexts.

Twelve tips for medical teachers to facilitate effective discussion among students to engage in reflective interpretation of Museum Arts

Integrating arts and humanities into medical education is a pragmatic approach that significantly enriches students’ learning experiences by enhancing their observational, interpretative, and empathetic skills. Engaging students in thoughtful dialogue become crucial at it not only enriches their understanding of human experiences and cultural contexts but also sharpens their communication skills – essential for effective patient interactions and collaborative healthcare environments. This article outlines twelve essential tips for medical teachers aimed at effectively facilitating discussions among students within the context of museum arts. These strategies are carefully designed to create a safe and inclusive learning environment, promote active and equitable participation, and encourage deep, reflective interpretation of artworks. By implementing these tips, educators can not only foster a more conducive educational landscape but also significantly enhance their own teaching practices by pushing the boundaries of traditional medical curricula with new ways to integrate empathy, critical thinking, and cultural awareness.

Nacionalismus vs. internacionalismus. Karel Hlaváček mezi Moderní revue a sokolstvím

The paper deals with the concept of nation, or Czechness, in the views of the poet, theoretician and artist Karel Hlaváček (1874–1898). In the mid-nineties of the 19th century, Hlaváček belonged to the inner circle around the magazine Moderní revue. In this environment, issues related to national identity, especially in the field of art and culture, but also in the political and social context, were often discussed. At that time, however, Hlaváček was also active in the Sokol association, whose national, i.e. Czech, dimension was not negligible. The texts he published in the Sokol press often differed significantly from those in the pages of Moderní revue, even in terms of the concept of the nation. The difference between the well-known text Nacionalism a internationalism (Moderní revue, December 1896) and his extensive study of Sokol as a social movement, which he published a few months later in the magazine Sokol (October 1897), is absolutely crucial. Hlaváček’s views will be placed in the broader intellectual context of European decadent art.

Collaborative strategies for designing employability curriculum in a liberal arts context

In Australian higher education, the push for curriculum innovation to enhance graduate employability is crucial but faces contention and debate. While the importance of integrating employability skills is widely recognised, perspectives on how and whether to incorporate these as curricular objectives vary, especially in liberal arts programs. This paper explores a multidisciplinary academic team’s experiences of embedding employability units into the Bachelor of Arts and undergraduate Communication and Creative Arts degrees at one Australian university. It addresses the challenges of diverse disciplinary perspectives on employability, career education, and work-integrated learning (WIL), and the design for a diverse student cohort, including career starters, career advancers, and career changers from multiple disciplinary contexts. Utilising Tuckman’s ‘forming, storming, norming, and performing’ model, the paper evaluates the team’s dynamics, offering insights and guidance for academics and institutions undertaking similar curriculum innovation projects to enhance graduate employability. This case study highlights the institutional support necessary for fostering sustainable curriculum reforms and the positive effects of collaborative curriculum design on the professional development and teaching capabilities of the educators involved.

Archaeologies and Organologies: Towards an alternative history of early synthetic video and image processing practices 1939–1969

Abstract This article focuses on the early history of two related techniques deployed within artistic contexts; the distortion of pre-existing television raster images and the generation of synthetic images through the application of external signals to cathode-ray tube deflection systems. Organology and media archaeological techniques are used to begin to trace an additional technical history of these complex visual instruments.

CONCEPTUAL ROLE OF METAPHOR AS A STYLISTIC DEVICE IN CONTEMPORARY KAZAKHSTANI PAINTING

The study focuses on the significance of metaphor as a fundamental stylistic device in contemporary Kazakhstani painting, exploring its ability to convey complex cultural and symbolic meanings. The aim of the study is to analyse how metaphor contributes to a deeper understanding of cultural identity and heritage, helping to enrich contemporary artistic expression in Kazakhstan. The methodology includes a comprehensive visual analysis of selected works by contemporary Kazakhstani artists. The study relies on interdisciplinary approaches, combining art history, cultural studies, and semiotics. It investigates how metaphors are used at different levels of artistic composition - from details to the overall structure of paintings, applying both qualitative and quantitative analysis methods.The analysis shows that metaphors in contemporary Kazakhstani painting serve as an important tool for expressing cultural identity, spiritual values and continuity of ethnic heritage. The study reveals the diversity of metaphorical expressions—from traditional folklore symbols to innovative visual interpretations—reflecting the dynamic interaction between cultural heritage and modernity. The discussion emphasizes the originality of the sources and the unique approach of Kazakhstani artists who use metaphor to create powerful visual narratives that resonate with local and global audiences. The study concludes that metaphor is indispensable in Kazakhstan’s visual arts, offering a rich symbolic language linking past and present. The findings emphasize the practical significance of metaphor in strengthening cultural identity and artistic expression, suggesting further exploration of its application in broader cultural and artistic contexts. The study contributes to a deeper understanding of the role of metaphor in contemporary art, with implications for both the academic community and practical art projects.