Art Lovers Research Articles

Dora Oronti: Illustrator–Cyprus

Abstract: "In art classes, we are always faced with the question whether we are trying to teach future artists or shape future art lovers. I personally believe that these two views are not mutually exclusive.."

IMPLIKASI INTRAKURIKULER KALIGRAFI DALAM PELESTARIAN SENI BUDAYA ISLAM DI MADRASAH TSANAWIYAH DARUN NAJAH KARANGPLOSO MALANG

The implementation of calligraphy intracurricular activities that have been carried out at Madrasah Tsanawiyah Darun Najah Karangploso Malang so far still has the aim of preserving Islamic art and culture and supporting the potential of students, so far the learning process has been going well, but there is a need for a more specific study of the implications of these intracurricular activities in students who take part in this activity. The main problems in this research are as follows; (1) How is the implementation of calligraphy intracurricular learning at Madrasah Tsanawiyah Darun Najah Karangploso Malang? (2) What are the factors that encourage and inhibit calligraphy intracurricular learning in preserving Islamic cultural arts at Madrasah Tsanawiyah Darun Najah Karangploso Malang? (3) What are the implications of calligraphy intracurricular learning in preserving Islamic cultural arts at Madrasah Tsanawiyah Darun Najah Karangploso Malang? This research belongs to the type of qualitative research. In data collection techniques, researchers used interviews, observation, and documentation. Then the techniques in data analysis using data reduction, displaying data, and drawing conclusions. The results in this study are (1) Calligraphy learning at MTs Darun Najah including intracurricular learning which is carried out every Thursday for two hours once a week, which uses the talaqi system starting with learning tahsinul kitabah then khattul 'Arabi. (2) The motivating factors for students to take calligraphy intracurricular are improving Arabic writing, a clear learning system, and the creativity of teachers' approaches and learning strategies in teaching. The inhibiting factor is the unstable spirit of the students, and the lack of experts/teachers which results in long queues in the guidance of calligraphy assignments, facilities, and infrastructure. (3) The Implications in calligraphy intracurricular can preserve Islamic cultural arts, love art, participate in calligraphy competitions, and can practice the values ​​contained and implied in calligraphy learning including patience, maintaining cleanliness, responsibility, sami'na wa atho'na (obedient), and honest.

JUNK FOOD DALAM SUMBER IDE PENCIPTAAN SENI GRAFIS

This final project expresses the writer's imagination in the form of graphic art, which is inspired by the dangers of junk food today in Indonesia. The problem is discussed by approach; 1. What is meant by junk food ?, 2. Why was junk food chosen as the theme of graphic art creation ?, 3. What is the form of visualizing junk food in graphic works using linoleum cuttings techniques? In its implementation, the phenomenon of the current danger of junk food in Indonesia is creatively reprocessed according to the taste of the author, works are printed using air-based color ink on cardboard paper, 10 printed works are each printed in 3 editions inspired by the situation. now. Each work is framed by using adjustable size frames. It is hoped that this work can be used as inspiration and provide knowledge about the current dangers of junk food in Indonesia. It is hoped that this work can be enjoyed by all who see it as well as art observers and art lovers.

Functions of Music Festivals in Modern Italy: “Rossini Opera Festival”

The relevance of the study. Considering the music festivals of modern Italy, it is important to identify their functionality and influence on the development of the cultural life of the country as a whole. This issue has been little studied, although, in our opinion, it is important and relevant for characterizing the festival movement in Italy.
 Main objectives of the study is to describe the International Opera Festival “Rossini Opera Festival: ROF”, its main functions.
 The methodology is based on the use of the inductive method, which, to characterize the festival process in the cultural life of Italy, involves the study of individual festival projects and provides for the use of a set of complementary research methods — historical-analytical, empirical and sociocultural. The historical-analytical method contributed to the understanding of the logic of the formation and development of the festival, the appeal to empirical and sociocultural methods made it possible to consider the features of the organization of the festival in the context of social relations in the system of music life in modern Italy.
 Results and conclusions. As an instrument of dialogue between civilizations, music is still today a fundamental lever of economic growth, able to interact with all other values: artistic heritage, cultural and tourism industry, environment and landscape. Through an integrated plan of structural interventions, services for citizens and businesses of the city, music in Pesaro becomes an engine of development, creative enrichment of cultural heritage and synergy between culture, tourism, society and education. The "Rossini Opera Festival: ROF" is a truly local indie phenomenon that draws a prepared and interested audience to Pesaro. Music as a means of dialogue between civilizations today contributes to economic growth, interaction with all other values of the region: historical and artistic heritage, cultural, tourism industry, landscape. Impressive is not only the scale of the project, but also the effectiveness of cooperation between cultural, financial, state institutions participating in its organization. Together they have developed a formula for holding Italian festivals, which provides a high result — the revival of the cultural and economic development of the region thanks to tourist flows, changing the image of cities (creating new infrastructure), interaction between public and private institutions, local authorities, professionals and art lovers. As an inseparable component of human culture, music always, in all its manifestations, acts as its memory, as a memory of history, a reminder of past events and their participants.

Strategi Komunikasi Kelompok Kesenian Wahyu Turonggo Seto Dalam Menyampaikan Informasi

<p><em>This study aims to find out and understand how the communication strategy used by the Wahyu Turonggo Seto art group in conveying information both to its members and to the public. This study uses 3 methods, observation, interviews, and documentation. The data analysis technique uses the steps according to Miles and Huberman, namely data collection, data reduction, data presentation, to drawing conclusions. There are 4 informants, namely art group managers, art group members, art lovers, and the general public. The results of the study show that the communication strategy carried out by the Wahyu Turonggo Seto art group is by using wara-wara directly and indirectly, such as through social media. The use of this strategy is said to be effective because people are already using digital applications as an effort to meet their information needs. The obstacles faced by the Wahyu Turonggo Seto art group are that there are some members who are old and do not have gadgets to receive information related to schedules and other matters related to the arts group.</em></p>

Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland [Płeć, przyjemność i przemoc: Kształtowanie wiedzy eksperckiej o seksualności w Polsce

<i>Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland</i> [Płeć, przyjemność i przemoc: Kształtowanie wiedzy eksperckiej o seksualności w Polsce

Evil

I am a First Nations artist. My father is Dene, and my mother is a second-generation Canadian from Ukraine. I have spent almost all of my life creating art and grew up with family members who were professional artists. My goal has always been to create art for my own mental health and for the enjoyment of those around me. I also try to create some of my ideas in a simple easy-to-digest way while trying to also stay simple with the materials I use. Before I came to university, I spent many years as a teenager practicing the art of graffiti, but as I grew older and my criminal record became more extensive, I struggled with my identity as a native artist and began to ask myself introspective questions that a young teenager doing graffiti would tend not to ask. Those questions led me to pursue a degree in fine arts and also led me to pursue my love of art through many different surfaces and mediums than my younger self could have ever thought possible

Safo y su recepción moderna: María Rosa de Gálvez

The reception of Sappho in modernity raises a series of readings that explore various facets of the Greek poetess. This essay analyzes two works by María Rosa de Gálvez (her drama Safo and Poetry. Ode to a lover of the imitation arts) because they take into account the sapphic person and work, combined in the classic category of fame. An 18th-century woman writer projects the voice and figure of the ancient poetess into enlightened Modernity, with a new political and proto-feminist perspective. This projection shows that classical tradition operates as a multidirectional phenomenon, since it is channeled through a complex network of intermediate readings that involves different genres and traditions (Greek lyric poetry, Roman epistolary genre, French travel narrative, Spanish dramatic writing) and various translation strategies (translation from French and Greek as agents of reception).

Art of Love in Work of Ibn Hazm “Ring of Dove”

The article deals with the problem of love relationship between a man and a woman presented in the work of the medieval thinker Ibn Hazm ‘The Ring of the Dove’. The choice of the writer and his work is caused by several reasons which have determined the research problem. The authors note existing gaps in the study of love themes in Ibn Hazm’s works. Moreover, the love theme becomes especially relevant nowadays because of the vast variety of attitudes to gender relations existing in the world and differing from conventional wisdom accepted by world religions and traditional national cultures. The aim of the study is to analyze the representations of the art of love in the work ‘The Ring of the Dove’. The authors draw on the studies of Russian, Arab, Persian and Central Asian scholars who reflected upon certain aspects of Ibn Hazm’s thinking. The authors come to the conclusion about Ibn Hazm’s deep understanding of psychological and pedagogical peculiarities defining love relationship between a man and a woman, who observe origins, types, signs and results of love. The description of the feeling is illustrated by means of multiple examples from real life and the author’s personal experience. It is argued that Ibn Hazm’s thoughts are still relevant today.

A Study of Contemporary (Modern) Painting in Herat. Case Study (Faculty of Fine Arts, Herat University)

Painting in Herat in the last two decades has achieved new achievements and approaches to the past traditions. These achievements were mostly in terms of form, color and technique, first influenced by modern Western painting, but then painters and students presented works with a combination of Eastern and Western painting based on the culture and traditional patterns of our society.The purpose of this study was to examine the contemporary (modern) painting within the framework of Herat College of Fine Arts, which can be important for students, artists and art lovers. In this research, two methods of library method and field method have been used. Authentic books and articles have been used in background. In field method, the data collection was based on observations and interviews with several professors of the Faculty of Fine Arts and pioneers of contemporary painting in Herat, which the result is summarized as follows. Contemporary painting was introduced to the audience academically for the first time by presenting the works of two painters from the Faculty of Fine Arts of Herat in an exhibition entitled Gardoun. By observing the pictures and interviews that were conducted, in the early days of its formation, contemporary painting was influenced by the Cubism style, but in recent years, contemporary painters have presented works with a new look and a combination of Eastern and Western art based on culture and civilization and indigenous environmental patterns of our country, which some unique methods can be seen in the works of a number of masters.Contemporary painting in the Faculty of Fine Arts of Herat began academically in 2009 and went through good stages and in the last decade found its place among students, but unfortunately by the change of government, some restrictions arose on the art of painting and establishing exhibitions which caused the lack of motivation of artists and students to art, and this process caused a number of artists and students to go abroad. What will be the future of art and the artist is a question that will be answered in the future.

Gertrude Stein: A Physician Who Wasn't to Be.

After a tumultuous time in the United States, including flunking out of medical school in 1901, Gertrude Stein, an iconic American author, art lover, and critic, moved to Paris in 1903 as an avant garde modernist who became a leading and legendary guru in the Parisian art and literature world.

Ovid: A Very Short Introduction

Ovid: A Very Short Introduction

The Autobiography of Willy Katzenstein: Part One, 1874–1932

Abstract Late in 2020, while sorting through a cupboard at the home of her mother, Eva Roberts (née Katzenstein), Susan Hamlyn—the abridger of this piece—discovered two fat folders. Each contained carefully typed documents in German. One was the 292-page diary kept by Eva’s father, the lawyer Dr Willy Katzenstein (1874–1951) (see Figure 1), during his four years of service in the Landsturm (German reserve army) (see Figure 2) during the First World War. The other was the 212-page autobiography he wrote shortly after arriving in England as a refugee in June 1939. The autobiography, the first part of which is published here, is primarily concerned with Katzenstein’s increasing—and ultimately crucial—involvement with the Jewish community of Bielefeld in north-western Germany, and various Jewish organizations at local and national level. Although he was semi-detached from Jewish interests and affairs in his youth, by the mid-1930s the facilitation of Jewish emigration from Germany absorbed every aspect of life for him and his wife Selma (née Zehden). Katzenstein was a classicist, poet, essayist, traveller, a lover of music and art, and a devoted husband and father. He died in London in 1951.

Рецензия на монографию: Демченко А. И. Смысловые концепты всемирного художественного наследия. М.: Наука, 2021. 614 с.

The opinion paper analyses the monograph “Semantic Concepts of the World Artistic Heritage” (2021) by the Doctor in Art Studies, Professor A. I. Demchenko, devoted to the integrative approach in the consideration of world artistic culture. This scientific work is addressed to both professional art historians and art lovers. The opinion paper pays special attention to the concept of the world artistic process, which is fundamental for the reviewed work and makes it possible to get a broad idea of the historical picture of the world in general through the lens of art.

Community Street - Social Thoughts and Art World Thoughts

Community Street, this novel highlights the social issues faced by youth and artists who seek out big cities like Chennai. The film captures the challenges of artists facing every day as they seek opportunities to showcase their talents. The film portrays the social problems, sexual harassment and life problems faced by a female prospector. The great feelings and sufferings of a woman in the art world when she falls in love are shown in this novel. Art should be for art's sake. Beyond the two arguments that art should be for life, the essay on the way of creation explains that art and artists have changed for entertainment. Without complete antipathy, without losing the flavor of novelty, without missing society, it finishes with excitement and anticipation, and completes the reader. Only a limited number of narrators appear in this novel. Muthukumaran, whose name is Muthukumaraswamy Bawalar, Gopal, whose name is Gopalswami, Madhavi, Nair boy, Jiljil, Penang merchant Abdullah, Udaya Rekha, Rudrapati Reddy. Subjective Mandars Drama Mandars "The Love of a Cootie" The drama "The Love of a Cootie" created by a playwright named Muthikumaran, staged and performed at various venues in Malaysia. Interwoven between these events is the protagonist Muthukumaran- heroine Madhavi's love art, should it be for art? should it be for life? Art and life are entwined. Without complete opposite character, without losing the flavor of the novel, without missing the society, this novel completes with excitement and anticipation, and makes the reader satisfied.

To the Question of Chronology of the Organization of the Ukrainian Intelligentsia of Sevastopol "Kobzar" at the Beginning of the 20th Century

The study is devoted to the question of time, period and forms of existence and changes in the leadership of the organization of the Ukrainian intellectuals “Kobzar”, founded in the early twentieth century in Sevastopol and associated with the name of engineer Levko Matsiievych, who was one of the most prominent Ukrainian activists of national movement in the city in said period of time. According to available data, the secret organization “Kobzar”, nameless at the time, was founded in 1901 on the basis of an amateur workers' theater in the People's House of Sevastopol, which operated as a group of Ukrainian dramatic art lovers under the direction of Levko Matsiievych and Oleksandr Kovalenko. Members of the organization established branches among the employees of the seaport and garrison of Sevastopol, later joining the Ukrainianization of local military units. The organization could be involved in the united autonomous community of Sevastopol, which was part of the General Non-Party Ukrainian Organization. According to available data, in 1905/1906 the organization “Kobzar” either began legal activities under the leadership of Levko Matsiievych or started any at all but data from Matsiievych's biography in 1906–1908 does not allow us to claim that he led the organization “Kobzar” or engaged in public activities in Sevastopol at all. From 1905 to 1907, the organization “Kobzar” was the center of the Ukrainian national and public movement, which united servicemen of the Black Sea Fleet and civilians of Sevastopol. In March–April 1917, virtually all members of the organization “Kobzar” joined the Main Council of the Ukrainian Black Sea Community. Subsequently, existing in various forms under German, Bolshevik, Denikin and Wrangel rule in Crimea, the Ukrainian national formation of Sevastopol ceased to exist in the late 1920s with the establishment of Soviet power on the peninsula.

Moral in Iniyavai Narpatu

Virtue is to live without guilt in one’s mind. Freedom from desires is virtue. Virtue is a natural aspiration that develops in society on the scale of justice. Caste is the flag of hatred and enmity that flies all over the world today. Righteous literatures have arisen so the team for this opinion is the book forty sweet. High purpose is very important for this life which is the purpose of this study. It is said that the best moral system is to first subdue the machines if one wants to attain the state of morality. When she is depressed, she gives up her emotions. The highest moral code of humanity is to maintain dignity at all times. Virtue is the cutting off. The material, the morality defined by human society for the good and progress of mankind. Mindlessness virtue is the interpretation of virtue is love. So, the art of love is the are that has the power to heal and moralize the world of affirmation.

Abstract Paintings and Nepali Context

Abstract art as discussed in this essay covers a period of time that spans about sixty years. The introduction of the abstract art in Nepal marks a certain opening in both art education and practice among the artists. The initial challenge of the abstract art was to make it a familiar subject both among the art lovers as well as among those who respected art but were not able to appreciate it fully. A challenging period came when artists began to work towards making abstract art an acceptable and a very useful artistic practice. The tension between skill of the artists and the indifference of the public is a universal problem. But now the gap is being narrowed down everywhere. The concept of abstract art in Nepal comes from education in schools in Europe and India in the initial phase and later in Nepal itself where art pedagogy became a norm in different art schools and colleges. But artists freely made their paintings abstractas the commonly accepted mode of art. Artists of different generations execute abstract paintings without being critical or interpretative about it. But now things are changing in Nepal. New generation artists who are oriented to the abstract and free forms of art are working to develop a system by putting together the art education, practice and very importantly, the level of public acceptance for that. We should carefully review the history and the present status of that. We should also make the art works 'desirable'. The other important character of Nepali abstract painting is that the artists always work in the contact zones of the representational and the expressionist features. I have interpreted that meeting point as a contact zone. This article attempts to give examples of that dynamic process. Nepali abstract paintings mark a new mode of artistic dynamism in Nepal.

The Importance of the Position of an Exhibition Organizer at the Association of Artists-Peredvizhniki (on the Example of A.D. Chirkin's Activities in 1872-1881)

The article is devoted to the consideration of organizational issues related to the implementation of the mobile form of exhibition activity of the Society for Travelling Art Exhibitions in the first decade of its existence. The special role of the Commissioner for the organization of exhibitions or the organizer of exhibitions in the coordination of these issues is noted. The experience of organizing the First Traveling Exhibition in 1871-1872 showed the need to attract to the Society a person who understands art and is ready to assume the responsibilities associated with exhibiting in the province for a nominal fee. The article presents a description of the main tasks that fell within the scope of activity of the first manager Alexander Dmitrievich Chirkin. The tasks went far beyond the mere support of exhibitions and expanded over time. A.D. Chirkin was an intermediary between the artists of the Society and the public, the success of the Peredvizhniki (The Wanderers) directly depended on his organizational talent and boundless love for art. The conclusion is made that the significance of the personality of the steward in the business of the Society is not appreciated, since it was with the accompanying person in power and the public in the province that the Peredvizhniki were associated.

A QUESTIONNAIRE SURVEY ON THE RELATIONSHIP BETWEEN EARLY ART EDUCATION AND EMOTION REGULATION OF CHINESE COLLEGE STUDENTS

BackgroundChinese groups are prone to stress when facing life problems such as learning tasks, employment and marriage, resulting in more and more groups suffering from anxiety, insomnia, emotional disorders and other problems. There are also some students who are under great pressure in an increasingly competitive environment, suffering from depression and suicidal tendencies. Relevant research shows that art education is conducive to alleviate the anxiety and anxiety of groups and promote the development of physical and mental health of groups. Theme and methods: through the questionnaire survey on the relationship between group early art education and mental health, this paper discusses the relationship between group art learning years and mental health.Participants and MethodsThe adolescent daily Emotion Regulation Questionnaire (aderq) was used to measure the frequency of adolescents' use of cognitive reappraisal, cognitive immersion, expression inhibition and expression catharsis in their daily life. Among them, cognitive reappraisal refers to the individual giving emotional stimulation a different meaning from the past; Cognitive immersion refers to individuals repeatedly thinking about the emotion itself and the causes and possible consequences of emotion; Expression inhibition refers to an individual hiding his internal emotional experience in his external behavior; Expression and catharsis refers to an individual's internal emotional experience in external behavior. There are 35 items in the questionnaire. Likert's 5-point score is adopted, ranging from 1 (completely unqualified) to 5 (fully qualified). All items are scored positively. The questionnaire is divided into two sub questionnaires: positive emotion regulation and negative emotion regulation, and includes four dimensions: cognitive reappraisal, cognitive immersion, expression inhibition and expression catharsis. The scores of the questionnaire and each dimension are the average of the corresponding items. The larger the score, the more individuals use the strategy. In this study, Cronbach's α Is. 80, Cronbach's of each dimension α Between. 70 and. 85.ResultsThe study found that the mental health status of students who received early art education was significantly better than that of students who did not receive art education in childhood. The longer the art learning time, the better the students' life meaning experience and the higher their life satisfaction. The longer you study art, the higher your love for art and the higher the meaning of life. In short, the years of art learning can directly or indirectly affect life satisfaction and life meaning experience.ConclusionThe years of art study are positively correlated with the level of group mental health. The limitation of this study is that the number of years of art study has no direct impact on the group's positive and negative emotions, but it has an intermediary effect on the group's mental health. This study adopts the method of empirical research to explore the relationship between early art education and group mental health, which has certain significance and value for a more comprehensive grasp of group mental health. In short, we should fully consider the important impact of art learning on students' emotions, actively pay attention to the changes of students' psychological emotions and behaviors and their impact on active behavior, actively and flexibly organize rich activities according to students' psychological characteristics, strive to create a relaxed and harmonious teaching atmosphere, create a friendly and mutual assistance relationship, encourage and guide students to adjust their psychology to the best state, Promote their good cognition and healthy development of life.