Architectural Art Research Articles

Natural Landscapes and the Psychological Impact of Environment on Architecture: Examining the Synergy Between Nature and Spatial Design

One of the most important characteristics of architectural art is the quality and type of connection it establishes with nature. Nature has a historical depth spanning hundreds of millions of years, having been shaped, evolved, and grown over time. It presents a structured and regulated form, within which a profound harmony can be observed in its diverse components. This homogeneous and dynamic structure has created a coherent language, which requires an understanding and decoding of this symbolic language to establish an interactive and constructive relationship with nature. This research examines the connection between natural landscapes and the psychological impacts of the environment on architectural design. The main objective of the study is to analyze the synergy between nature and designed spaces, investigating how this interaction can affect the quality of human life. The results indicate that the presence of natural elements in living and working spaces reduces stress, increases satisfaction, and improves mental health. Additionally, sustainable design that considers environmental principles and human needs can lead to the creation of spaces that provide a sense of tranquility and pleasure for users. Despite the economic and cultural challenges in implementing these approaches, collaboration among designers, engineers, and local communities is essential. Ultimately, this paper emphasizes the importance of considering the psychological impacts of the environment and the necessity of creating spaces that promote the synergy between nature and architecture.

Western Style Eastward: The Derivation of Architectural Art and Design in Harbin (1898-1945)

Harbin s architectural design is known for its fusion, with Western design providing its outer skeleton and Chinese culture giving it its inner blood. Harbin has attracted the world s attention with its unique architectural design style since the 19th century. From the early Russian and Japanese colonial period, European and Japanese styles were introduced. Harbin s architectural design history has not only witnessed the changes of an era, but also demonstrated the fusion and symbiosis of multiple cultures. In the context of globalisation, how can Chinese art participate in the process of globalisation with a unique Chinese consciousness and visual image, how to face up to the existence of exotic transplanted cultures, and how to incorporate foreign design language symbols into Chinese design methodology? These are the questions that need to be solved urgently. Harbin s architectural design is not only a display of architectural art, but also a microscopic mirror of the progress of human civilisation and cultural exchange. Through in-depth study of the philosophical thinking, cultural interactions and aesthetic concepts behind its design, we can not only have a better glimpse of the cultural concepts of urban landscape, but also have a deeper understanding of the development of human civilisation and the future direction of Chinese architectural design.

Western architectural ornamental art in traditional Chinese architecture: a case study of Tengchong City based on interdisciplinary approach

ABSTRACT This paper explores a previously unrecorded style of East-West architectural ornamentation in Tengchong, Yunnan Province, China, overlooked in historical architectural studies. The aim of this research is to both document and analyze this unique blend of Eastern and Western architectural elements, employing both qualitative and quantitative methods. Initially, literary research identifies relevant sites, which are subsequently examined through field research to collect firsthand data on the local architectural decorations that exhibit this East-West synthesis. Employing an interdisciplinary approach that integrates concepts from biology and statistics, the study views these architectural decorations as a living organism. This perspective allows for a detailed examination of how different cultural elements are incorporated into local architecture, analyzed quantitatively and statistically. Through this research, a qualitative description of these hybrid architectural elements is developed, further enriched by a quantitative analysis based on statistical methods. The qualitative aspect of the study traces the historical evolution of this East-West architectural form, observing changes in themes and structures. In terms of quantitative findings, a detailed statistical profile of these local architectural features is established, which supports the qualitative insights. Overall, this research sheds light on a neglected aspect of architectural ornamentation, presenting a thorough analysis of its development and current state through an innovative mix of qualitative and quantitative research techniques. This study not only provides new data but also opens up fresh avenues for future research on similar topics.

Functional and structural construction of photothermal-responsive PEEK composite implants to promote bone regeneration and bone-implant integration

Although poly (ether-ether-ketone) (PEEK) has been widely used in orthopedic surgeries, its clinical efficacy is challenged by ineffective bone regeneration and insufficient osteointegration. Herein, inspired by the Mortise-and-tenon joint in traditional Chinese architectural art, a novel strategy has been developed to construct photothermal-responsive PEEK composite implants, with tapered lock-groove edges as proof of concept, by incorporating graphene oxide (GO) loaded with polydopamine-coated nano-zirconia (PDA@ZrO2) into PEEK (namely PGPZ composite). The PGPZ composite exhibits improved mechanical properties, good cytocompatibility and blood compatibility, excellent antibacterial ability and osteogenic activity remotely controlled by near-infrared irradiation (NIR). The cranial defects experiment on rabbits reveals that repeated NIR treatment on PGPZ composite implant significantly accelerates endogenous bone regeneration. More importantly, abundant newly-formed bone has materialized in the lock grooves, forming interlocked Mortise-and-tenon joints with the implant. This study not only pave the way for further clinical applications of the PEEK composite implants with improved bioactivities to promote bone regeneration and osteointegration, but also providing a novel strategy for structural and functional design of various tissue engineering implants.

Research on the Correlation Between Folk Beliefs and Temple Architectural Space: Case Study of Renwei Temple in Canton

Renwei Temple is the earliest recorded temple architecture established in the Cantonese region of the Song Dynasty to worship the Northern Monarch, one of the Taoist divinities. It is famous for its traditional folk culture activities such as the Northern Monarch's Birthday celebration. Renwei Temple showcases a paradigm of Cantonese folk temple architecture. It embodies the Chinese civilization's Taoist culture, philosophical thoughts and traditional activities, demonstrating the charm of architectural art in the Lingnan region. Through field investigation, interview and literature research, this paper conducts a case study of Renwei Temple in Canton, to reveal the internal relationship among religion, Confucian belief and architectural space of the Cantonese Temple, and to further explore the influence of the order of the relationship between God and Human, etiquette thought and social integration on architectural spatial characteristics in material aspect. It would help inspiring the restoration, renovation, innovation and inheritance of temple Architectures, or even the construction of public buildings in Cantonese region

The building system and modeling evolution characteristics from the stacked patios to the pingqi of the grotto

ABSTRACT This paper takes the cave top Pingqi as the breakthrough point, discusses the relationship between the building system and the shape evolution from the lantern roof in the dwellings of Central Asia to the caisery in the grottoes of Xinjiang and then to the Dunhuang cave top Pingqi, discusses and analyzes the process of the integration and mutual learning, absorption and tolerance, innovation and development of Chinese and western cultures in the process, and combines them. Through the comparative analysis of the historical background, structural characteristics and spatial layout of various types of architectural forms, as well as the investigation of their evolution from focusing on functional needs to focusing on decorative art in different periods, we strive to sort out the origin and evolution of the decorative style of cave top Pingqi. The final conclusions of the study are as follows: Dunhuang Mogao Grottoe-roof decoration has experienced the imitation, inheritance, reference and innovation of the architectural style of the roof of Central Asia, Xinjiang and the Central Plains. It can be traced back to the wooden architectural style of “lantern well” in India and Central Asia, as well as the basic functional style of “chimney” in the early Central Plains. The evolution process of roof decoration in different periods is completely preserved in the existing grottoes. Showing the overall evolution process of “chimney”, “lantern well”, “stacked patios”, “sculpture Pingqi” and “drawing Pingqi”, the style of Pingqi in Mogao Grottle-No. 428 has become a typical representative of the evolution of “drawing Pingqi” in the Northern Dynasty, highlighting the deep integration of Chinese and western culture and architectural art, which is of great significance to the study of Chinese traditional architectural history and grotle-decorative art.

BEDAWANG NALA: ARTISTIC INSPIRATION FOR A FICTION FILM TO STRENGTHEN ENVIRONMENTAL EDUCATION AWARENESS

This research explores the philosophical and symbolic value of Bedawang Nala in Balinese architectural art and the development of its narrative in fiction films based on Hindu mythology. Bedawang Nala, depicted as a giant fire-haired turtle with dragons Anantabhoga and Basuki, reflects cosmic balance and natural harmony in Tri Hita Karana. This qualitative research uses an interdisciplinary perspective involving the views of cultural studies and the creativity of film art creation. Data was obtained through in-depth interviews to explore the meaning and connection of the Bedawang Nala concept with environmental themes, audiovisual observations of traditional Balinese architecture, and literature studies on Bedawang Nala and ecological issues. Data were analyzed using interview transcript interpretation techniques to identify main themes related to the philosophical and symbolic values of Bedawang Nala, audiovisual analysis, and literature synthesis that connects findings from interviews and observations with current discussions about ecological education. The findings show that the Bedawang Nala mythology is not just an aesthetic ornament but has an educational value relevant to contemporary environmental issues. The development of this mythology-based film narrative can be an effective academic and cultural reflection tool, strengthening ecological awareness in society. This research suggests making and evaluating films based on Bedawang Nala and exploring other local mythologies to increase the educational impact and environmental awareness through film media.

Spatio-Temporal Distribution Characteristics of Buddhist Temples and Pagodas in the Liaoning Region, China

Buddhist culture in Liaoning has a long and rich history. The continuous spread of Buddhism has promoted the development of Buddhist architecture, leaving us a rich architectural art heritage. Furthermore, it has also profoundly influenced China’s architectural characteristics, social culture, and economic development. This paper takes Buddhist temples and pagodas in Liaoning as the research objects and uses methods such as the geographic concentration index, nearest neighbor index, kernel density estimation, and standard deviation ellipse to analyze their spatio-temporal distribution characteristics and influencing factors across different periods. 1. Temporal distribution. During the Liao Dynasty (907–1125 AD) and the Qing Dynasty (1636–1912 AD), the construction of Buddhist temples and pagodas was the highest, with a linear increase in the Qing Dynasty. 2. The overall spatial distribution of Buddhist temples and pagodas in Liaoning is uneven, showing an agglomeration distribution state. The distribution status of different periods was different, and the Ming (1368–1644 AD) and Qing dynasties (1636–1912 AD) showed obvious aggregation distribution. The overall state is “more in the west and less in the east” and “more in the north and less in the south”. 3. In different periods, the spatial distribution direction of Buddhist temples and pagodas in Liaoning was relatively obvious and was southwest–northeast, and the center of gravity gradually shifted to the northwest. 4. The kernel density of different periods presents the density distribution and area of each period. The overall distribution is dense to scattered and then to highly dense. 5. The spatio-temporal distribution characteristics of Buddhist temples and pagodas in Liaoning are mainly composed of deep-seated political factors, rapid economic development and stable social environment, diverse culture, natural geography, cultural relics protection, and the artistic value of Buddhist architecture in the Liaoning region.

Metamorphosis of Tradition: Dong Arts from Folk Dong Painting to Contemporary Expressions

The Dong ethnic minority in southwest China possesses a distinctive cultural heritage. Dong's painting emerges as a unique and diverse form within Dong's artistic endeavors, capturing the essence of daily life among the Dong people. Regrettably, Dong paintings often endure neglect compared to the more recognized Dong architectural art. To revive appreciation for Dong culture, this study delves into traditional Dong folk paintings, aiming to discern various painting types and explore the impact of these traditional forms on contemporary Dong paintings. The similarities and differences between traditional Dong folk painting and contemporary Dong painting are obtained through the investigation and artistic practice of the Dong nationality. It mainly focuses on literature analysis, case studies, and art practice-based research. This investigation reveals that contemporary Dong paintings continue incorporating and reinterpreting symbols, architectural motifs, and dress patterns from traditional Dong folk art. This continuity in artistic expression contributes significantly to preserving and disseminating Dong culture in evolving artistic forms.

Analysis of Library Building Design from the Concept of Green Building

Library is a symbol of urbanization in the present era. The external shape of the library is more elegant and solemn, and the interior also pays more attention to the convenience and comfort. In the design, we need to pay attention to the enjoyment of architectural art beauty, and at the same time, we need to make the layout of the library more scientific and applicable, and meet the needs of the public reading. As a public building with huge flow of people, the library needs to consume a lot of energy when it is open, which is not in line with the characteristics of green building advocated at present. Therefore, in order to implement the concept of environmental protection, it is necessary to integrate the design of library building with the concept of green building. At the same time, the library is also a cultural building, and it needs to reflect the scientific concept of humanistic care and people- oriented. Therefore, this paper mainly analyzes and discusses the library design under the concept of green building.

Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques

Abstract Traditional handcrafting techniques used in the art of sculpting usually produce three-dimensional works of art, while modern reproducing techniques specific to copying and printing machines usually produce two-dimensional results. Mixing these techniques has had a major role in the development of recently emergent 3D digital fabrication techniques. Through a personal case study, this article discusses the similarities and differences between specific traditional additive manual processes used in the art of sculpting and additive three-dimensional modeling and 3D printing techniques. The case study showcases the hybridization of digital modeling and 3D printing processes with traditional physical handcrafting techniques to chart and inform a mixed media approach, with an array of positive outcomes in the art of sculpting and architecture.

Skeuomorphism, Miniaturization, and Architecture in the Tang Dynasty Tombs: An Examination of Their Manifestations

This study examines mimetic, miniature and architectural art in Tang dynasty tombs, focusing on the specific manifestations of these elements in tombs and their cultural significance. Analyses of excavated artefacts and murals from Tang dynasty tombs reveal the role of mimetic objects (e.g., pottery, gold and silverware, terracotta figurines and stone carvings) in reflecting the social status and cultural beliefs of the tomb owners. The article also explores the application of the concept of mimesis in tomb murals, which embodied the ancient Chinese concept of “life as death” by vividly depicting scenes of the tomb owner’s life before death. In addition, the architectural design of Tang Dynasty tombs, including above- and below-ground structures, siting methods, and construction techniques, is studied, demonstrating the importance of Tang Dynasty tombs in material culture and social beliefs. Through these analyses, this study aims to deepen the understanding of Tang Dynasty burial culture and reveal its unique value in ancient Chinese society.

Semiotics of Mirror-tile Artwork Decoration in Iranian-Islamic Architecture

Mirror-tile geometric Artwork is considered the last innovation of Iranian artists in the group of the fine arts. That utilizes, for the interior architecture and decoration of buildings. The use of pieces of glass-mirrors and Mirror-tile artwork has economic origins and recycling roots. In the beginning, the Glass-mirrors, which had been brought to Iran from Europe, break during transportation. Iranian artists and Muslim Craftsmen found an innovative way to take advantage of these broken pieces and used them as Mirror-tiles. Being wasteful is an act that is abhorred in Islam. In traditional Iranian-Islamic art, the mirror element, besides that has been one subject of aesthetics for decorating the architectural built-space, includes deep cultural concepts that have not been considering for various reasons. This research looks at semiotic signs from an analytical point of view and explaining the use of the Mirror-tile art in Iranian-Islamic architecture by quoting information from the analysis to understand the quality of architectural built-space decorated with the Mirror-tile art. Aim to introduce the real and genuine aspects of mirror art as an influential architectural element through the thoughts of its creators as a result, in this research, first, the concepts related to semiotic ideas are dealt with descriptively, and, with an analytical approach, a connection established between various theories. Mirror-tile art also contains tremendous amounts of meaning - messages that words can never describe. For these craftsmen, that's at the core of their creation. Among the mystics, the inner language is the language of Spirit and Truth, and the tools of that language are the symbol and indication. With the aim of the influence of the Persian mystical thoughts about the mirror, this study cum the available historical and contemporary sources and analyzing them deals with the hidden meanings in Mirror-tile artwork. Reveal its connection with mystical thoughts through Persian literature.

Modern Islam and Indonesian Culture; Evolving Rituals and Institutions

In Indonesian culture, Islam is not just a religion but also a system that influences and adapts to local traditions. This study explores the complex relationship between Islam and Indonesian culture, focusing on the roles of rituals and institutions. This research aims to explain Islam and Indonesian culture (Rituals and Institutions). This study employs library research with a descriptive qualitative approach. Data collection involves sourcing relevant references for this research, such as journal articles, books, and other scientific writings. The data is then analyzed using data reduction, presentation, and conclusion. The results show that Islamic art and culture have significantly contributed to Indonesia's cultural wealth. For example, architectural art with unique forms of mosques, tombs, and other buildings reflects Islamic architectural styles. Calligraphy is also an important part of Islamic art in Indonesia, with beautiful Arabic writings and profound meanings. In preaching, the Walisongo utilized local traditions before Islam, which were then Islamized as long as they did not contradict Islamic law. This aligns with the principles of ushul fiqh.

Eco-Public Installation Through Landscape Architecture for Sustainability in the Urban Space

Sustainable art in landscape architecture encompasses activities like installing works of art that are durable, functional, decorative, iconographic, interpretative, integrated, ephemeral, or temporary. Projects of sustainable installation in landscape architecture have highlighted the contributions of public arts in social, cultural, and economic aspects. Studying the environmental impacts of public art in cities is still lacking. The purpose of this article is to highlight the contribution of eco-art in urban space to the development of sustainable cities, through the exam of a selection of sustainable installation from the word. Therefore, peer-reviewed articles and online resources were used to analyze sustainability, awareness, and environmental values associated with eco-public art and sustainable installations in order to inspire other directions, such as a dialogue between art and the public, landscape architecture, and environmental sustainability through public art. Despite landscape architecture studies are often focused on sustainability; however, there is little research on how to create durable installations through the synergy between art, design, and architecture. Based on the analysis of selected projects using a combination between art, design, and architecture concepts, to create an eco-installation in the urban space, it was highlighted that, during the early phases of promoting the green city concept, Eco-Public Art promotes visual support, tools, and the form of knowledge. All the analyzed sustainable projects were developed to demonstrate the best approach to public art because of their attitude and behavior toward the major issues.

Stylistic and architectural art trends of worldwide experience in designing orthodox churches and complexes

Currently, in the scientific and practical space of Ukraine, there is no substantiated and systematized concept of the sacred architecture of the Balkan countries and the countries of the near abroad. Many countries have experienced a number of important changes and transformations over the last fifty years, which undoubtedly influenced the development of sacred architecture. In this study, the author proposes to consider the modern development of Orthodox churches and complexes of the specified countries of world Orthodoxy. In order to solve the tasks, literary sources were analyzed, highlighting the peculiarities of the analysis of sacred architecture. The fundamental researchers of the analysis of modern architecture include: C. Jenks, O. E. Gutnov, V. L. Hight, A. V. Ikonnikov and others. Modern researchers in the field of design and analysis of sacred objects include the works of O. S. Sleptsova, Yu. I. Kryvoruchko, M. Yu. Kesler. Taking into account the diversity and multifacetedness of the studied sacred objects, this analysis helped establish the directions and criteria for the analysis of Orthodox churches. The article presents the results of the analysis of the practice of sacred design of temple buildings of the countries that are included in the list of Orthodox autocephalous churches of the World Orthodoxy, in particular the temple architecture of the countries: Poland, Serbia, Albania, Montenegro, Bosnia and Herzegovina, Romania, Bulgaria, Greece, Macedonia, Cyprus, Georgia, Armenia, Russia, Belarus. Most of the general finishing has close ties with historical prototypes and stylistic polyphony of development, primarily Byzantine architecture, South Balkan and other architectural schools of a certain region. Also, isolated cases of modern and innovative searches for the modern image of the national temple have been established. As illustrative material, the article is supplemented with images with an analysis of the influence of historical prototypes on modern samples, as well as a table indicating general trends.

Semiotics And Hermeneutics in The Art of Painting and Contemporary Architecture

Semiotics And Hermeneutics in The Art of Painting and Contemporary Architecture

Questions on the Object’s Authenticity in Ukraine’s Restoration Sector

The authors focused on an important aspect of the preservation and restoration industries – authentication of works of art, details and elements of architecture, as well as the importance of proving the dating of architectural objects and works of art. This issue has always been relevant for Ukraine, as well as for other countries, and it became even more relevant during the post-war reconstruction when 863 objects of cultural heritage were destroyed and damaged in the period from 24.02.2022 to 25.11.2023. The existing experience of the "Ukrrestavratsiia" corporation in the field of authentication and dating of architectural monuments, decorative elements, and works of art was analysed. The procedure for establishing the dating and authenticity of works of art is described in specific examples.

Japanese Consciousness of Narrowing from the Perspective of Architecture

One of the characteristics of Japanese culture is the “consciousness of narrowing”. Sei Shonagon once wrote in “The Pillow Book” that “no matter what, small things are exquisite.” The Japanese people's awareness of the beauty of smallness is widespread and is reflected in every aspect, and it can be said that “smallness” exists everywhere in Japan. Japan is a small island country surrounded by the sea on all sides, in such a geographical environment, the Japanese people have developed a “consciousness of narrowing”. This “consciousness of narrowing” has had a profound impact on many aspects of Japanese society, and has led to the formation of a unique Japanese culture. Culturally, the Japanese art of flower arrangement and architecture also pursues subtlety and delicacy in form and structure, and favors a small and exquisite style in its aesthetic sense. Throughout the history of mankind, no matter what era, architecture has always served to protect mankind and avoid danger. Even though the style of architecture has changed with the change of time, the cultural connotation embodied in it is still preserved. Therefore, this thesis analyzes the causes and effects of the “consciousness of narrowing” on Japanese society to further understand the unique culture of the Japanese people. At the same time, by citing representative Japanese buildings and understanding the “consciousness of narrowing” embodied in them, it is hoped that the national character and aesthetic sense of the Japanese people can be further understood, and that Sino-Japanese cultural exchanges can be promoted. At the end of this thesis, we will briefly compare the differences between Japanese traditional culture and Chinese traditional culture represented by “consciousness of narrowing”, hoping to further understand Japanese culture on this basis, and to help promote cultural exchanges between China and Japan.

An Analysis of American Gothic Revival Architecture - Exemplified by the Work of Alexander Jackson Davis

American Gothic Revival architecture, as an architectural style with deep historical and cultural connotations, occupied a prominent position in the field of American architecture in the 19th century. The purpose of this study is to explore how Davis' architectural work influenced the development of Gothic Revival architecture in the United States and to reveal its unique place in American culture. Through an indepth analysis of Davis s representative architectural works, this paper shows how he fused Gothic elements with modern design concepts to create an architectural art that is both historical and modern. These works not only show the aesthetic value of architecture, but also reflect the cultural trends and values of American society at that time.