Architectural Style Research Articles

Art and Architecture: North India and South India

The centuries between the eighth and the thirteenth stand out rather prominently from the point of view of the making of cultural traditions in India. The most arresting feature of these traditions is regionalism, which gets reflected in every sphere, whether it be the formation of political power or the development of arts or the transformations in languages and literature or even religious manifestations. In very general terms, the emergence of regional cultural units such as Andhra, Assam, Bengal, Gujarat, Karnataka, Kerala, Maharashtra, Odisha, Rajasthan, Tamil Nadu, etc. was the outcome of significant material changes. The pace of agrarian changes and the developments in the non-agrarian sector were setting the tone of feudal socio-economic formation. The political structure was deeply affected by these developments. It should, not, therefore, surprise us if the cultural ethos too got permeated by similar strains. The Mudrarakshasa, a play written in Sanskrit by Vishakhadatta and generally ascribed to the fifth century, speaks of different regions whose inhabitants differ in customs, clothing and language. The identity of some kind of sub-national groups is recognized by the Chinese pilgrim Hieun-Tsang who visited India in the first half of the seventh century and mentions several nationalities. The Kuvalayamala, a Jain text of the eighth century and largely concerned with western India, notes the existence of 18 major nationalities and describes the anthropological character of sixteen peoples, pointing out their psychological features and citing the examples of their language. The Brahma Vaivarta Purana, ascribed to the thirteenth century Bengal explicates deshabheda — differences based on regions/territories. This feature is reflected in art and architecture as well. We see the emergence of various regional traditions and it was during this time that different architectural languages such as Nagara, Dravida and Vesara matured. In this research article begin survey by looking at the various types of architectural styles and art traditions.

FLsM: Fuzzy Localization of Image Scenes Based on Large Models

This article primarily focuses on the study of image-based localization technology. While traditional methods have made significant advancements in technology and applications, the emerging field of visual image-based localization technology demonstrates tremendous potential for research. Deep learning has exhibited a strong performance in image processing, particularly in developing visual navigation and localization techniques using large-scale visual models. This paper introduces a sophisticated scene image localization technique based on large models in a vast spatial sample environment. The study involved training convolutional neural networks using millions of geographically labeled images, extracting image position information using large model algorithms, and collecting sample data under various conditions in elastic scene space. Through visual computation, the shooting position of photos was inferred to obtain the approximate position information of users. This method utilizes geographic location information to classify images and combines it with landmarks, natural features, and architectural styles to determine their locations. The experimental results show variations in positioning accuracy among different models, with the most optimal model obtained through training on a large-scale dataset. They also indicate that the positioning error in urban street-based images is relatively small, whereas the positioning effect in outdoor and local scenes, especially in large-scale spatial environments, is limited. This suggests that the location information of users can be effectively determined through the utilization of geographic data, to classify images and incorporate landmarks, natural features, and architectural styles. The study’s experimentation indicates the variation in positioning accuracy among different models, highlighting the significance of training on a large-scale dataset for optimal results. Furthermore, it highlights the contrasting impact on urban street-based images versus outdoor and local scenes in large-scale spatial environments.

The Aesthetics of Timurid and Safavid Miniatures

This research studies the aesthetics of Timurid and Safavid miniatures in a comparative manner. The first chapter deals with the research problem, its importance, and defining the most important terms used in it. The research problem included the topic of the aesthetics of Timurid and Safavid miniatures in the drawings of both eras through the artistic works produced by Islamic painting schools, where each school has characteristics that distinguished it from the other. The research problem was overcome through the following question: How did the Muslim artist achieve the miniatures aesthetics in manuscripts for both eras?The II chapter, the theoretical framework, includes four sections: the first on the aesthetics of Islamic art, the second on the art of Islamic miniatures, the third on the most important artistic features of painting (the Timurid era), and the fourth of the (Safavid) era. The third chapter included the research procedures, and the fourth chapter included the results and conclusions.The functional treatment of the concept of space designated for Islamic miniatures came according to a fruitful and sincere artistic and functional emotional approach within the relationships of creation that give it a spiritual feeling due to what the elements of construction have of multiple intellectual meanings and connotations, such as transferring the stories and events that were prevalent at that time, to documenting the style of Islamic architecture and the type of clothing worn by Muslims, the moral and social values that appeared through the interpretation of the movements of people in the Islamic miniature, as came in most of the sample models.

Japanese Consciousness of Narrowing from the Perspective of Architecture

One of the characteristics of Japanese culture is the “consciousness of narrowing”. Sei Shonagon once wrote in “The Pillow Book” that “no matter what, small things are exquisite.” The Japanese people's awareness of the beauty of smallness is widespread and is reflected in every aspect, and it can be said that “smallness” exists everywhere in Japan. Japan is a small island country surrounded by the sea on all sides, in such a geographical environment, the Japanese people have developed a “consciousness of narrowing”. This “consciousness of narrowing” has had a profound impact on many aspects of Japanese society, and has led to the formation of a unique Japanese culture. Culturally, the Japanese art of flower arrangement and architecture also pursues subtlety and delicacy in form and structure, and favors a small and exquisite style in its aesthetic sense. Throughout the history of mankind, no matter what era, architecture has always served to protect mankind and avoid danger. Even though the style of architecture has changed with the change of time, the cultural connotation embodied in it is still preserved. Therefore, this thesis analyzes the causes and effects of the “consciousness of narrowing” on Japanese society to further understand the unique culture of the Japanese people. At the same time, by citing representative Japanese buildings and understanding the “consciousness of narrowing” embodied in them, it is hoped that the national character and aesthetic sense of the Japanese people can be further understood, and that Sino-Japanese cultural exchanges can be promoted. At the end of this thesis, we will briefly compare the differences between Japanese traditional culture and Chinese traditional culture represented by “consciousness of narrowing”, hoping to further understand Japanese culture on this basis, and to help promote cultural exchanges between China and Japan.

Navigating modernity: young adults’ perspective on urban transformation in three Lima neighbourhoods

ABSTRACT This article delves into young adults’ perceptions in Lima regarding urban modernization and its relationship with architectural styles and facades. Through semi-structured interviews and visual aids, the study examines how young adults perceive modernity in their urban environment and the discrepancies between their interpretations and conventional notions promoted by developers. Findings reveal a divergence between the envisioned improvements by modernists and the scepticism expressed by young adults, raising questions about the essence of modernization and its implications for Lima. The study underscores the importance of reconciling these discrepancies to ensure urban development aligns with the aspirations of Lima’s residents.

Deformable registration of magnetic resonance images using unsupervised deep learning in neuro-/radiation oncology

PurposeAccurate deformable registration of magnetic resonance imaging (MRI) scans containing pathologies is challenging due to changes in tissue appearance. In this paper, we developed a novel automated three-dimensional (3D) convolutional U-Net based deformable image registration (ConvUNet-DIR) method using unsupervised learning to establish correspondence between baseline pre-operative and follow-up MRI scans of patients with brain glioma.MethodsThis study involved multi-parametric brain MRI scans (T1, T1-contrast enhanced, T2, FLAIR) acquired at pre-operative and follow-up time for 160 patients diagnosed with glioma, representing the BraTS-Reg 2022 challenge dataset. ConvUNet-DIR, a deep learning-based deformable registration workflow using 3D U-Net style architecture as a core, was developed to establish correspondence between the MRI scans. The workflow consists of three components: (1) the U-Net learns features from pairs of MRI scans and estimates a mapping between them, (2) the grid generator computes the sampling grid based on the derived transformation parameters, and (3) the spatial transformation layer generates a warped image by applying the sampling operation using interpolation. A similarity measure was used as a loss function for the network with a regularization parameter limiting the deformation. The model was trained via unsupervised learning using pairs of MRI scans on a training data set (n = 102) and validated on a validation data set (n = 26) to assess its generalizability. Its performance was evaluated on a test set (n = 32) by computing the Dice score and structural similarity index (SSIM) quantitative metrics. The model’s performance also was compared with the baseline state-of-the-art VoxelMorph (VM1 and VM2) learning-based algorithms.ResultsThe ConvUNet-DIR model showed promising competency in performing accurate 3D deformable registration. It achieved a mean Dice score of 0.975 ± 0.003 and SSIM of 0.908 ± 0.011 on the test set (n = 32). Experimental results also demonstrated that ConvUNet-DIR outperformed the VoxelMorph algorithms concerning Dice (VM1: 0.969 ± 0.006 and VM2: 0.957 ± 0.008) and SSIM (VM1: 0.893 ± 0.012 and VM2: 0.857 ± 0.017) metrics. The time required to perform a registration for a pair of MRI scans is about 1 s on the CPU.ConclusionsThe developed deep learning-based model can perform an end-to-end deformable registration of a pair of 3D MRI scans for glioma patients without human intervention. The model could provide accurate, efficient, and robust deformable registration without needing pre-alignment and labeling. It outperformed the state-of-the-art VoxelMorph learning-based deformable registration algorithms and other supervised/unsupervised deep learning-based methods reported in the literature.

Quantitative study on the color of traditional dwellings in Jianxi River Basin, Fujian Province, based on the lab color space model

ABSTRACT The color palette of traditional dwellings is intricately shaped by the characteristics of the geographical environment and the long-standing lifestyle of residents, thus constituting a vital component of rural culture. However, the rapid development in recent years has resulted in the dilapidation of rural features, including haphazard colors employed in buildings. With the advancement of science and technology, the studies of color have transitioned from a qualitative to a quantitative approach. Through a comprehensive comparison of RGB, HSB, CMYK, and Lab color spaces, as well as an evaluation of color card comparison method, software analysis method, and instrument measurement method; this paper reveals that employing the instrument measurement method in conjunction with the Lab color space enables independent assessment free from subjective influence. This approach facilitates more objective and accurate collection of color data while ensuring seamless and lossless transmission between devices. Therefore, to safeguard and enhance the authenticity of traditional dwellings and preserve the architectural style of traditional villages, this paper focuses on investigating the color palette of traditional dwellings in the Jianxi River Basin. The CM-700d spectrophotometer is employed for color data collection, while quantitative analysis is conducted using the Lab color space to unravel the color logics in this region. The findings reveal that earth yellow (average Lab (50.35,7.40,19.63)) constitutes the main color of rammed earth walls, complemented by dark brown (average Lab (38.72,2.97,8.58)) tiled roofs and gray-brown (average Lab (41.95,4.30,12.75)) stone wall bases as accent color; additionally, gray-yellow (average Lab (49 .82,1 .93,10.98)) brick gatehouses serve as accent colors. The integration between these colors and nature is harmonious; however, the absence of distinct color layers and highlights in the traditional dwellings necessitates incorporating bright architectural decorations along with arrangements of flowering plants. This paper conducted a quantitative analysis on the color of traditional dwellings with three main objectives. Firstly, to establish a comprehensive color database that can effectively preserve and promote regional traditional dwelling colors, while aiding designers in capturing regional color characteristics. Secondly, by collecting precise color data, this paper lays the groundwork for future applications of digital color technology. Lastly, it aims to explore the regional color logic and its potential integration with future studies on color evaluation to uncover preferred color combinations among the public for dwellings.

Stacking pattern transition caused by submarine channel inception and internal levée development

ABSTRACTThe shift from highly amalgamated and laterally offset to aggradational and vertically stacked submarine channels is a pattern that has been widely recognized in seismic reflection datasets as well as in outcropping successions worldwide. However, the sedimentary and stratigraphic details of such an important part of channel evolution and its implications have not been discussed extensively. That gap is addressed here by characterizing a previously undocumented, seismic‐scale outcrop of the Tres Pasos Formation (Magallanes Basin, Chile) that records the transition from a laterally offset/low‐aggradational channel complex to a vertically stacked aggradational complex associated with the development of an internal levée that enhanced channel aggradation. The boundary between the two complexes is defined by a composite erosional surface (up to ca 35 m relief) with two adjacent element‐scale channelized incisions with contrasting sedimentary infills that provide unprecedented insight into this key phase of submarine channel evolution. Observations indicate that, in between these two depositional architecture styles, there is a significant phase of deep incision and bypass. The relief achieved via this deep incision of one or multiple simultaneously active conduits is interpreted to be necessary to set up the conditions for flow stripping and, subsequently, overbank deposition. Finally, the siltstone‐rich intra‐channel lithofacies association observed directly overlying part of the incision is interpreted to represent the stratigraphic expression of the earliest deposits of an active submarine channel preserved due to the abrupt abandonment of this pathway and the development of an adjacent conduit, which resulted in the former being covered with fine‐grained overbank deposits.

NAVIDRO, a CARES architectural style for configuring drone co-simulation

One primary objective of drone simulation is to evaluate diverse drone configurations and contexts aligned with specific user objectives. The initial challenge for simulator designers involves managing the heterogeneity of drone components, encompassing both software and hardware systems, as well as the drone’s behavior. To facilitate the integration of these diverse models, the Functional Mock-Up Interface (FMI) for co-simulation proposes a generic data-oriented interface. However, an additional challenge lies in simplifying the configuration of co-simulation, necessitating an approach to guide the modeling of parametric features and operational conditions such as failures or environment changes. The article addresses this challenge by introducing CARES, a model-driven engineering and component-based approach for designing drone simulators, integrating the FMI for co-simulation. The proposed models incorporate concepts from component-based software engineering and FMI. The NAVIDRO architectural style is presented for designing and configuring drone co-simulation. CARES utilizes a code generator to produce structural glue code (Java or C++), facilitating the integration of FMI-based domain-specific code. The approach is evaluated through the development of a simulator for navigation functions in an autonomous underwater vehicle, demonstrating its effectiveness in assessing various autonomous underwater vehicle configurations and contexts.

Female bodies and dynastic legitimacy in the Nereid Monument at Xanthos

Abstract This article reassesses the so-called Nereid Monument (ca 380 BCE) at Xanthos in Lycia by focusing on the narrative and symbolic role of female figures within its sculptural programme. Constructed as the tomb for the Lycian dynast Erbbina, the monument has been noted for its over-human-size sculpture of Nereids, its historicising city-siege reliefs, as well as its spectacular fusion of visual and architectural styles, motifs and themes from various contexts throughout the Aegean and Anatolia. Building on this scholarship, I turn specifically to the monument’s innovative representations of non-mythological women in prominent areas of its visual programme: Erbbina’s dynastic consort and a distressed woman who is caught in the throes of military violence. By focusing on the role of female bodies in Erbbina’s funerary qua triumphal monument, I argue for the important narrative function of female bodies in articulating dynastic legitimacy and continuity. Finally, this article comments on the importance of femininity in addition to masculinity in dynastic expressions in the fourth century, thus anticipating major art-historical changes in the art of power at the beginning of the Hellenistic period.

An analysis of the development path of ethnic villages under the protection of traditional Jiarong culture

Most of the villages in the north-west ethnic areas of Sichuan are located within a culturally rich zone. However, during the process of village modernization, the protection and inheritance of traditional culture are often overlooked. This study has investigated the construction techniques and spatial components of traditional villages in Lixian, Sichuan Province, from the perspective of cultural inheritance. It analyzes and synthesizes representative design language and proposes a design concept that combines spatial perspective and cultural inheritance to conduct research on design paths aimed at strengthening functional positioning, optimizing spatial layout, improving village style, and improving infrastructure. The objective is to establish a research path to maintain the village-style during post-disaster process reconstruction and village development, thus protecting the unique local architectural culture and achieving comprehensive village development. In addition, we explored issues such as the lack of architectural style and the lagging development of human settlements, aiming to promote rural revitalization and integrated urban-rural development in this area.

Temple and Their Architectural Style in Himachal Pradesh: An Overview

The traditional architecture of Himachal Pradesh is developed and mostly present in the form of numerous temples constructed in different parts of the state. It is the outcome of the prevalent topography, available natural resources, extremes of the climate and other natural forces. These temples are the best-known example of successful experimentation with locally available building materials and indigenous construction techniques to produce architectural marvels. It is also best reaction to the harsh climate of hilly regions and other natural forces. The present study simply described the temple architecture distribution and its types in the state of Himachal Pradesh. The whole study is based on primary as well as secondary sources of data. Various kinds of temple architecture have been discussed in this study i.e., Shikhra Style, Pyramid style, Tower Style, Pent Roof Style and Dome Style. Himachal Pradesh has been a meeting place of various art and culture. Broadly Himachal art can be divided into three group each distinguished by the recurring theme of Hinduism and Buddhism. These are (1) Khasha Art (2) Indo Aryan Art (3) Indo-Tibetan Art. Therefore, Himachal Pradesh has been a meeting of varied art and cultures. But, the main focus of study is related to Hinduism as it has large number of architectures related to Hinduism than others.

The influence of the application of glass curtain walls on architectural style and architectural facade design techniques

In recent years, with the increasingly rapid development of the glass curtain wall and its gradually mature use in architecture, many designers choose to use glass curtain walls when designing buildings in order to get the desired building facade effect. As a result, there are many new architectural styles and building facade effects. Against this background, this paper discusses how glass curtain wall is applied in architecture and how it helps and influences architectural design styles and techniques. To conclude, the glass curtain wall has been widely used in the design of high-rise buildings and public buildings at this stage, and it also helps designers to more conveniently adjust the virtual-real relationship of building facades and the overall architectural style. The use of large-area glass curtain walls in the design of facades can achieve special effects that cannot be replaced by other materials. At the same time, the application of glass facades also promotes the process of architectural design modernization.

Building pose detection for the characterization of reinforced concrete buildings

SummaryThe automated identification of building characteristics for seismic vulnerability remains a challenge for governments due to the high number of buildings in cities. The diverse architectural styles of these buildings complicate the automated identification of building information (e.g., number of stories, structural system, and material type). Deep learning techniques lose accuracy as they generalize information, while the visual contents of a building exhibit a considerable range and diversity. This study leverages the pose detection technique to tackle such issues by focusing on a common construction style: reinforced concrete buildings representing columns, beams, or floors on the façade. With an aim to enable the assessment of seismic vulnerability, the technique developed herein is conceived for buildings with up to six stories that are more likely to be moment‐frame buildings. The AI‐enabled proposed framework starts with collecting building images and categorizing those containing this specific building type. A bounding box detector is then used to isolate building facades, for the subsequent identification of the structural frame with the High‐Resolution Network (HR‐Net). For demonstration, we illustrate this technique by identifying the structural frame on concrete buildings with a sample dataset developed based on buildings found in Mexico City in a pre‐earthquake event state.

The Application and Research of Digital Art in Architectural Decoration Design

This paper aims to explore the application and research of digital art in the field of architectural decoration. With the continuous development and popularization of digital technology, digital art, as a new form of art expression, is gradually infiltrating into every aspect of architectural decoration. The introduction of digital art provides architectural designers and decorators with a broader space for creation and a richer way of expression, and also endows architectural works with more colorful artistic connotation and the atmosphere of The Times. Based on the concept and characteristics of digital art, this paper discusses the application practice of digital art in traditional and modern architectural decoration, analyzes its influence on architectural decoration style, spatial atmosphere and user experience, and prospects the future development trend of digital art in the field of architectural decoration.

Chiang Mai's Royal Crematorium: Siamese Influence Evident in Lanna Cremation Heritage

The Chao Luang crematorium was a temporary architecture made for the cremation and funeral of Chao Luang Chiang Mai (King of Chiang Mai). The creation of the Chao Luang crematorium reflected the social and political pressures of Siam that influenced Lanna territories during the reign of Phra Chao Inthawichayanon in 1873 till 1932 (coup d’etat), resulting in a change in the architectural style of these funeral structures. This research aims to study the architectural style changes of Chao Luang crematorium in Chiang Mai from the moment when Siam began to draw power from Lanna to the central part of the territory. The study results reveal that, originally, the funeral rites of Chao Luang followed a specific form of Lanna rituals. However, during the reign of Phra Chao Inthawichayanon, the 7th Chao Luang of Chiang Mai, new power from Siam was imposed on Lanna, which resulted in changes to the Lanna architecture and cremation traditions, aligning them more closely with Siamese traditions. Eventually, the traditional Lanna rituals were amalgamated into the style of Siam. The evolving architectural style of the Chiang Mai Royal Crematorium provides evidence of Siamese colonization’s ongoing impact on Lanna.

Houses classification using vision transformer with shifted patch tokenization

Deep learning has recently made great progress leading to revolutionizing image recognition, speech recognition, and natural language processing tasks that were previously challenging to make using traditional techniques. Image classification offers a lot of potential for architectural design, even though it is rarely used to uncover new techniques. It can be used to determine the client’s preferences and design a building that satisfies those preferences. The different architectural styles based on culture, region, and time are one of the main challenges for image classification in architecture. Hence, it can be challenging for untrained clients to recognize an architectural style, and sometimes some buildings are made up of various types that are difficult to classify as a single style. This paper investigates the potential of employing state-of-art cutting-edge image classification algorithms in houses classification. In addition, the paper proposes the uses of Shifted Patch Tokenization (SPT) and Locality Self-Attention (LSA) in order to enhance the performance of Vision transformer (ViT) when trained to classify house images with a small dataset, opposed to the regular ViT which requires huge dataset in order to converge. Experimentally, these techniques proved to have a positive impact on the performance of the ViT, which reached 96.85% accuracy when SPT and LSA are employed.

Study On The Architectural Characteristics Of Miao Nationality In PingBian, YunNan

Pingbian is the inhabitation place of the Miao people. There are many Miao culture in Pingbian, which has a long history and rich heritage. A number of ancient and ethnic characteristic buildings are preserved in Pingbian, which highlight the unique regional color of the local area, reflect the aesthetic taste of the Miao people, and have profound cultural connotation and high artistic value. This paper selects the ethnic culture of the Miao nationality in Pingbian for analysis, studies the composition characteristics of the Miao architecture in Pingbian, and puts forward the Miao architectural style in Pingbian, aiming at promoting the inheritance and development of Miao architectural characteristics.

Building Edge Detection Technology From Remote Sensing Image Based On NSCT And Tensor Voting

An edge detection technology based on the combination of non-downsampling contour wave transform (NSCT) and tensor voting is proposed, which aims to obtain more accurate and detailed edge information of buildings in remote sensing images. Firstly, NSCT is used for image decomposition to obtain the subband frequency information of different scales and angles. Then, position encoding is performed on these subband coefficients to obtain second-order symmetric tensors at the corresponding positions. Tensors of different scales and angles at the same position are weighted and summed to complete feature fusion. Finally, the edge features of the image are obtained based on tensor voting theory. The experimental results show that compared to common edge detection technologies, such as Canny, Fast Edge (Fast edge detection using structured forests) and HED (Holistically-Nested Edge Detection), our method can more accurately and intensively reflect the boundaries of buildings and the edge information of roofs, providing better support for the analysis of building types and architectural styles. Compared to the HED method, which is based on deep learning, our method improves PSNR and SSIM metrics by 0.98 and 0.03, respectively.

Every Dataset is a Canon

AbstractFor architects, the construction of a dataset for use in AI, whether imported from somewhere else or newly created, is fundamentally an epistemological canon of references, likes and preoccupations often predicated on the selection of so‐called masterpieces of Western art. The canon represents ideals of beauty and knowledge, but it also reflects a bias in favour of art created by those who have occupied the most socially, politically and economically powerful positions in culture. Mario Carpo, architectural historian, critic and Reyner Banham Professor of Architectural History and Theory at the Bartlett School of Architecture, University College London, leads us through a succinct series of eras and architectural styles to demonstrate this fact and their lack of diversity.