MLR,96.3,200I 883 (Stuttgart: Metzler, I985),to whichtheauthors acknowledge their debt.The changes inthe political climate andthediversification ofliterary methodologies are linked, notalways insufficient detail, tothe'Lenzrenaissance' intheI970Sand I980S.A brief butpithy summary oftheveritable boominLenzscholarship in Germany and abroad is the result. The finalchapter, entitled 'The Lenz Bicentennial', surveys theincreasingly 'apolitical' (p. IO5)direction oftheflourishing Lenzindustry during theI990S,particularly intheUnited States. Possible future lines ofenquiry aresuggested, themost important ofwhich concerns the lack ofa critical edition, although thisis somewhat underplayed. Attheendofthe volume anextensive, butbynomeans exhaustive, bibliography isgiven. At timesLeidnerand Wurst, perhapsoverly keento maketheir'cultural experiment' work, are guilty ofgeneralizations and inaccuracies (forexample, Alfred notMaurice Jarry, p.49).Nevertheless, given this short study's scopeand widetarget audience, theauthors do provide a timely and readily digestible retrospective bothonthevarious attempts totackle the'Ratsel'ofLenzand,less convincingly, ontheevolution ofcriticism itself. LONDON JAMES GIBBONS Der junge Goethe inseiner Zeit. Sdmtliche Werke, Briefe, Wagebucher und Schrzften bisI775. Ed.byKARL EIBL, FOTIS JANNIDIS andMARIANNE WILLEMS. Frankfurt a.M. andLeipzig: Insel.I998. 706+ 773pp.+ CD-ROM. DM 88. Several applications ofelectronic technology tothepresentation ofliterary texts haverecently appeared atanaffiordable price, butthis isoneofthe first that hasthe completeness that isrequired for serious academic research andthe first I amaware ofthat intelligently combines theresources ofdiXerent media, theprinted book, CD-ROM andWorld-Wide Web.LikeDer junge Goethe, edited byHannaFischerLamberg , in6 volumes (Berlin, I963-74),which itfollows intextual matters, this edition covers thecomplete output ofGoethe before hismove toWeimar inI775, butcontains a great dealofadditional material aswellastheelectronic means for processing it.Itisalsoconsiderably fuller inits annotations. Thepresent package isbasedontherecognition that printed booksaremore convenient forsustained reading thancomputer screens. The twovolumes of printed matter contain a generous selection ofGoethe's writing from this period, andthey havethebenefit over Derjunge Goethe ofoften allowing thereader toseea particular poemindifferent contexts when itappeared inmore than onecollection. Theonly disappointment isthat relatively few ofGoethe's letters areincluded. The CD-ROM,onthe other hand, contains, asfar asispossible, everything that Goethe wrote before hewent toWeimar (including further letters andlegaldocuments, as wellas several drawings), and doesso in a form which allowsthetexts to be searched, analysed andcopied bymeans ofthe'Folio Views' programme provided, which, with a certain amount ofpractice, works well. However, the particular value ofthis package lies justasmuch inthewealth ofadditional material contained on theCD-ROM,which justifies the phrase 'inseiner Zeit':itcontains sections notby Goethe incollaborative writings (Von deutscher Art und Kunst, 246articles from the Frankfurter Gelehrten Anzeigen ofI772),lateradaptations ofearlier works (parallel editions ofFaust andWerther), andlater reflections byGoethe onthis period ofhis life (including thecomplete Dichtung undWahrheit). Atthesametime itincludes a selection ofcontemporary texts (byLenz,Klinger, Nicolai andothers) which reflect onGoethe as a historical phenomenon, andalsotexts known tohaveinfluenced Goethe, including Hederich's complete Mythologisches Lexikon (though not indigitized 884 Revzews form) andthefull text oftheBible.Evenwith this quantity ofmaterial there are, perhaps inevitably, problems ofseleetion: poems inwhieh Lenzrefers toGoethe are missing, and,more seriously, theoriginal sourees ofsomeofGoethe's translations ('Naeh Falkonet und uberFalkonet'), but theresourees of thispaekageare nevertheless invaluable. Therearerather more misprints than onewould like, and these ofeourse eanplayhavoewith eleetronie searehes, butevenheretheeditors forestall eritieism. They havesetupa web-site from whieh itispossible todownload a maskthateorreets known misprints, so thattheuserean always updatethe eleetronie version ofthetext. Thisisan edition that isindispensable for researeh into the earlier Goethe, butitisalsoa model ofthe way that teehnology eanenhanee the more traditional print medium. UNIVERSITY OF BIRMINGHAM DAVID HILL DerWeimarer Musenhof: Literatur, Musik und Wanz, Gartenkunst, Geselligkeit, Malerei. By GABRIELE BUSCH-SALMEN, WALTER SALMEN and CHRISTOPH MICHEL. Stuttgart andWeimar: Metzler. I998. Viii + 237 pp. DM 78. Thisisa beautifully presented andfinely illustrated hardbaek volume intowhieh mueh effiort hasobviously beenputtoensure that visual matter andeommentary are as praetieally orientated as possible. The result is an aeeessible arrayof faseinating primary material, whieh, together with some straightforward narrative, sueeeeds inproviding a eomprehensive overview oflife atAnnaAmalia's Musenhof: High-quality reproduetions of watereolours, oil-paintings, silhouettes, musieal examples, maps andphotographs allhelp tobring eighteenth-eentury Weimar very mueh alive. Inspite ofthetitle's allusion tofive main subjeet areas theauthors' departure point for sueha wideexpanse ofinformation isWieland's ideaofa 'Verbund der sehwesterliehen Kunste' theseopeofthebookaetually extends beyond even these. Chapter 2,'HauserundRaumeimWeiehbild derResidenz', for example, examines theimportanee oftherebuilding oftheResidenzsehloss andofAnna Amalia'soecupaney oftheWittumspalais forthedevelopment oftheMusenhof; whilst Chapter 5,'Singen inSehule, Kirehe undHaus',likewise looks outside the immediate eonfines ofthe eourt toprovide thereader with information rarely dealt with in soeialandcultural studies on...