This study examined the use of psychomimicry in the apparel design process by exploring a series of three garments entitled, Color Hearing. The designer delineates the iterative design process, explains the design challenges, and expands on what is known by implementing a new technique of coding music to create textile print designs. The designer used a four-stage design process for each of the three garments included in this study. The important contributions of this study include the novel approach of using psychomimicry as a design influence and the establishment of a coding process to generate textile print designs based on the neurological phenomena of synesthesia.