Abstract
From an emic perspective, the article considers cultural projects in the digital humanities that are created or co-created by Polish institutions. The text attempts to capture how digital humanists define the digital humanities in order to recognize the identity that this sphere of knowledge ascribes to itself. To this end, I used Voyant Tools to analyze textual data while simultaneously testing its functionality in this type of analysis. These deliberations are metareflections because they concern the role and place that the digital humanities assign to themselves in the contemporary system of science.
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