Abstract
In an ode to Woolgar and Latour’s Laboratory life (1979), this visual essay traces what occurred during a series of fieldtrips and workshops I organised between students from Uniarts and Aalto University, and researchers at the Viikki Plant Sciences Centre, Helsinki. It highlights how disciplines promote a particular way of looking and of understanding the world that privileges certain of its characteristics over others – a process that can lead to the development of potential blind spots that hinder discovery. The curatorial is posited as a means for combating these limitations and for understanding plant-human relationships in an expanded way.
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