Abstract
This visual essay recounts a photography excursion that unexpectedly evolved into a transformative artistic encounter on Cappanawalla mountain in rural Ireland. What started as a systematic and detached approach of photographic framing and capture, took on a dramatic shift toward an exertion of unknown forces disrupting the human role as artist-photographer. Various nonhuman actants exerted their vital materiality as thing-power forces and collaborators in the creation of images along Cappanawalla. This experience provoked a radical reframing of artistic creation as a distributive agency of authorship among the vital materiality, in which the human is just one creative actant among many.
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