Abstract

This article examines relationships between literature and quantum physics form a socio-epistemic perspective. It shows that such formations were hierarchy-freely and interwoven on a linguistic-aesthetic level. To make this point, the article first unfolds rhetorical and aesthetic implications of the so-called “loss of visualizability” in the emergence of quantum mechanics. Then it shows that these implications correspond to aspects of the poetics of Kafka’s Die Verwandlung. After demonstrating these correspondences, the article sketches relevant literary-theoretical consequences: Literature is localized as a social place where tricky epistemological problems are epistemically constituted.

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