Venetian travel narratives in Erica Jong’s work

Abstract

ABSTRACT This article focuses on Erica Jong’s and her fictional characters’ travel experiences in Venice, which is portrayed as a carefree and sensual destination. Jong demonstrates how female solo travelling can help challenge unequal gender roles, explore female sexuality regardless of one’s age, and rewrite the narratives of the Grand Tour. However, in her later works, the depiction of Venice transitions from a glorification of its charm to portraying it as a seductive place of decadence. The dichotomy between beauty and decay becomes a reminder of the passage of time and the inevitability of constant changes. While Jong and her heroines defy the centuries-long and idealised cultural heritage of Venice by moving beyond its common association with male desire, they also reveal that ephemeral love affairs can lead to emotional disillusionment. They also become potential targets of the leisure tourism industry and romanticised discourses that continue to influence contemporary travel expectations.