Abstract

In response to the relative lack of scholarly attention paid to the relationship between island utopia and Chinese literature, this paper studies the imagination of both island and insular geographies in Chinese ‘utopian’ literature using an island-sensitive approach. Employing an expanded and constructive conception of the island, the paper examines the heterogeneity of Chinese island and insular imaginaries in literary works from diverse historical periods, especially in relation to the dominant western model of the remote tropical oceanic island. Based on the finding that the alterity of Chinese island and insular imagination lies as much in its depiction of spatial ambiguities as in its mixing of diverse figures, I reflect further on the benefits and perils of adopting a west-inflected island approach in examining the imaginary landscapes of utopianism and insularity in Chinese literature. It is argued that Chinese island literature is more a reading effect enabled by an imported theoretical approach than any inherent tradition in itself. In the end, two paths for innovating island aesthetics and epistemologies in cross-cultural contexts are proposed.

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