Abstract
Most recently art philosophy has shifted away from postmodernist ideas. But where does the practice of photo-collage fit in? Photo-collage addresses a range of theories; it involves a particular method of cutting and pasting; it brings up metaphysical notions of ‘decoding’ artworks; and it addresses a variety of themes. This article places these ideas into the twenty-first-century cultural rhetoric, which has broadened to involve wider themes from ecological philosophy. The article suggests that in asking how photo-collage fits into the cultural scene, it is pertinent to ask how the arts fit into the bigger picture of the world.
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