Abstract
This article developed in three parts the precursory practice-based research, through a phenomenological framework, to the following yet-to-be-resolved core question: is it possible for the artistic (and ritualistic) object to be imbued with what we consider to be the essence of life? The research arrives at this question by exploring how silence and sound can contribute to the perception of life, highlighting language as a driver for cultural change and advancing the use of a new pronoun assigned to those who bear life.
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