Abstract
RIASSUNTO: L’articolo esamina la serie finale della sezione R2 dello Chansonnier d’Urfé (R_162-R_193). Combinando l’analisi dell’epoca e dei contesti di produzione delle liriche; l’esame della loro tradizione manoscritta; e lo studio delle tecniche di compilazione del canzoniere C, parallelo di R, si avanza l’ipotesi che la sezione R2 sia debitrice di una raccolta d’occasione assemblata a ridosso del 1250, e particolarmente esposta a materiali di ascendenza catalana e a testi di ambiente italiano di argomento latamente «imperiale». ABSTRACT: The article is devoted to the final part of the Chansonnier d’Urfé section called R2 (R_162-R_193). Managing the analysis of the time and contexts of production of the poems; the examination of their manuscript tradition; and the study of the compilation techniques of songbook C, the hypothesis is put forward that R2 is indebted to a collection assembled around 1250, and exposed to material of Catalan ascendancy and to texts of Italian origin of «imperial» setting.
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