Abstract
Textual, aural, audivisual variations on the audiovisual - Shakespeare's Macbeth (c. 1606) representing the source text - Ibsen's Et dukkehjem/A Doll House (1879) between stage and screen - Strindberg's Spoksonaten/The Ghost Sonata (1907) choosing the medium - Pinter's The Homecoming (1965) medium and vision.
Published Version
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