Abstract
This article examines the transnational journeys of the popular puppet caricature sketch programme Spitting Image (1984-1996) at a moment of change in the global television industry. Satirical programming, which tends to be rooted in a specific time and place, is not an obvious candidate for the global television trade. Nevertheless, Spitting Image travelled, both in the sense of direct export of the series and as a television format, franchised across the globe. The article explores the origins of the series at a transitional moment in UK broadcasting, as a rare case of an independent co-production within the ITV network in the early 1980s. It traces the difficulties faced by its producers when attempting to export the series to the US market, with content deemed too ‘parochial’ for the American audience. It examines the series as a (qualified) television ‘format’, via the cases of the official Italian remake Teste di gomma (1987-88) and the French Les Guignols de l’info (1988 – 2018), informally inspired by Spitting Image. Finally, it details a failed attempt to remake the show in Post-Soviet Russia, and the political problems encountered by the puppet satire Kukly (1994-2002).
Published Version
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