Abstract
Abstract For decades, Hans Magnus Enzensberger viewed autobiographical writings with a sense of distrust and irony, while at the same time exploring themes and motifs that were closely related to experiences of the author himself. Over the past ten years, however, something has changed in Enzensberger’s approach to autobiography. This becomes most obvious in his essay entitled Tumult, published in 2014. This contribution analyzes the constitutive moments of biographical discourses for Enzensberger's artistic development since the 1950 s.
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