Time, Clocks, and Illnesses in Paul Harding’s Tinkers

Abstract

ABSTRACT Paul Harding’s Tinkers was awarded the Pulitzer Prize for Fiction in 2010. This article examines how the novel employs a unique temporal rhetoric to present a post-Enlightenment worldview. As the chronological narrative sequence is disrupted by the main character’s reminiscences and hallucinations, time becomes disjunctive and fragmentary, which suggests that chaos often prevails in human consciousness. The narrative temporality thus becomes ontologically unstable and unreliable, representing a condition of abnormality and aberration. Moreover, this temporal condition is connected with the novel’s repeated descriptions of clock malfunctions and human illnesses, thereby further emphasizing the idea that disorders are an inevitable human condition. As Harding views the precise mechanisms of clocks as an embodiment of Enlightenment rationalism, the emphasis on these disorders signifies a subtle critique of Enlightenment ideals and a receptive attitude toward the inherent chaotic condition of life.