Abstract
Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.
Highlights
Jaranan Pogogan art has been established since 1956, headed by mbah Maridjo
Teguh Rahayu is located in Jimbir, Sugihwaras models. This means that the acquisition of data village, Prambon subdistrict has the comes from the field by conducting characteristics of dance movements, Ndagel observations and deep interviews, style is as the main scene of the Jaranan Pogogan described and interpreted with the theories or and has musical instruments that is similar to concepts of the form of the show
The focus of research is the characterized by the dialogue between actors Jaranan Pogogan Teguh Rahayu
Summary
Jaranan Pogogan art has been established since 1956, headed by mbah Maridjo. The artWahyu Prasetyo Bekti, et al./ Catharsis: Journal of Arts Education 9 (1) 2020: 77-84 has its own uniqueness. Jaranan Pogogan art has been established since 1956, headed by mbah Maridjo. Wahyu Prasetyo Bekti, et al./ Catharsis: Journal of Arts Education 9 (1) 2020: 77-84 has its own uniqueness. The uniqueness lies in the presentation performed on stage, and is the mountain Ronggeng allowed a change in the function and value of the art. From sacred presented by two male dancers who dress up to Profan, from ritual to entertainment. The like a pretty woman, a dancer is as a Sasra and another dancer is as Pogog. Pogogan is the name research is useful as a reference about value. The research results are examined by of the accessories worn by a figure known as Pogog. The name of the artistry only takes the
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