Abstract
The relevance of this study lies in appealing to the problem of developing one’s own microfield on the basis of the art history term feminist art. The article considers for the first time the specifics of the existence of feminist art in the terminology of art history. The purpose of this study is to determine the features of the functioning of feminist art in the art criticism terminological system. The basis of this study are the method of definitional analysis with elements of the semasiological method. In accordance with the put forward in the course of this study hypothesis, feminist art serves as the basis for the formation of a separate microfield within the art history terminological system. As a result, it was established that the term feminist art has a terminological potential — on the basis of this phrase, nomens are formed, as well as new components of the form of the concepts of art history terminology.
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