The Sea and the Kingfisher of Bui Ngoc Tan: on the perspective of sociocriticism

Abstract

“The Sea and the Kingfisher” (French: La Mer et le martin-pêcheur) is a special novel written by Bui Ngoc Tan. This work is not only the pride of contemporary Vietnamese literature in general and Hai Phong literature in particular when it won the Henri Queffenlec Award in France in 2012; but also the stamp of the author's journey "resurrection of the dead", after more than 5 years of imprisonment and 20 years of torture of reading and writing.
 Because of his special circumstances, social change is always reflected in Bui Ngoc Tan’s work. “The Sea and the Kingfisher” is the same as a little cosmos, a panoramic discourse reflecting all of the love and sorrow of a generation having to face so many incidents and ideological conflicts.
 Above all of the limited literature, “The Sea and the Kingfisher” is a worthy writing. This is seen as a realistic novel, straight and steady, which exposes a world that is still deep in darkness, beneath the golden and glamorous slogan. There are honest people buried deep in the bottom, crumpled and writhed, silently alive, and silently dead. "Belles-lettres" of Bui Ngoc Tan, is a chord of many "words" that were invoked from thousands and thousands of lives of anonymity in the same era. It is both pristine, bitter, and a sigh of pain, laden with deep thoughts. It's also the crystallization of the love of life and faith, thus the aspiration of social transformation.
 Using the sociocriticism, the writer focuses on researching the relationship between life and the working life of Bui Ngoc Tan through his works. And then, we will reach a deeper understanding of the value of Bui Ngoc Tan's literary heritage, the morality or the self-consciousness of the writer's social role, and the aspirations to improve society by literature that he cherished all life.