Abstract
This paper explores The Beekeeper of Aleppo (2019) by Christy Lefteri as a work of historical fiction that shifts the focus from general informative narratives to universal humanitarian experiences, emphasizing the individual lives of refugees rather than dehumanizing statistics or generic representations. By interweaving stories of Syrian refugees Nuri and Afra with those of refugees from diverse nationalities, Lefteri underscores the shared resilience and suffering of displaced individuals worldwide. The novel critiques stereotypical portrayals of refugees, presenting a nuanced depiction of their virtues and flaws, while dismantling simplistic binary distinctions of "good" and "bad" refugees. Through the use of detailed personal narratives, Lefteri contrasts the reductive coverage of refugees in news media and historical accounts, which often focus on numbers and geopolitical implications rather than individual experiences. The novel's vivid depictions of traumatic events, such as harrowing sea crossings and encounters with smugglers, highlight the refugees' emotional and psychological struggles, fostering empathy and understanding in readers. By bringing to light the complexities of refugees' decisions and the humanity behind their journeys, Lefteri moves beyond the confines of traditional historical and journalistic narratives, encouraging readers to see refugees not as faceless masses but as individuals with unique stories. This study points out the role of historical fiction in bridging the gap between the factual and the personal, revealing how art and literature can humanize historical events and challenge preconceived notions. The findings emphasize the power of storytelling in encouraging empathy and reshaping public perceptions of humanitarian crises, with implications for how societies engage with displaced populations.
Published Version
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