Abstract

http://dx.doi.org/10.5007/2175-8026.2017v70n1p265Esse artigo explora referências ao teatro em prefácios de Charles Dickens, Nathaniel Hawthorne e Henry James. Ênfase é dada à forma como esses autores empregam figuras como o mestre de cerimônias e o dramaturgo para alcançar seus públicos e projetar imagens autorais. As figuras em questão são historicizadas e discutidas sob a luz dos conceitos identificados pelos termos performativo e teatro de imagens, e o argumento proposto é o de que referências ao teatro revelam tensões entre a autoexposição e a autoproteção, assim como entre a afirmação da autoridade e sua subversão e fragmentação na escrita de prefácios no século XIX.

Highlights

  • Montes Claros, MG, BR Abstract his essay explores references to the theatre in prefaces by Charles Dickens, Nathaniel Hawthorne, and Henry James

  • By examining examples from Charles Dickens, Nathaniel Hawthorne, and Henry James, I shall argue that references to the theater in these authors’ prefatory writing reveal tensions between self-display and self-concealment, as well as between authorial selffashioning and the fragmentation of the author into diferent selves

  • As Joan Stevens explains with regard to the theatrical analogy and the serialization of Vanity Fair: “he novel, like an established play, has been making regular appearances; its author may well have a sense that the characters are an acting company and he their stage manager” (291)

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Summary

Introduction

Montes Claros, MG, BR Abstract his essay explores references to the theatre in prefaces by Charles Dickens, Nathaniel Hawthorne, and Henry James.

Results
Conclusion

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