Abstract
The art of dancing involves the motions of many body parts, particularly those that are rhythmically and musical. Modern dance is viewed as a type of nonverbal interaction that may be utilized to convey ideas, feelings, or even a narrative. Modern dances might be communal, audience-participatory, or both. Thus, following how the concept is used in the fast-expanding subject of the theory of dance, "philosophy" is understood widely here. Dance philosophy has a tone of promise, in part because dance is so diverse that it may have connections to many different schools of thought. Modern dance has been practiced for a variety of goals all over civilization, including medicinal, economic, societal, cultural, and religious ones. Hence, in this paper, we review the conceptual foundations of Modern dance and how Marxist Philosophy was employed to create it. A recurrent procedures linear mixed model was developed for the study to predict a creative score and ascertain the impact of the key factors under consideration: experience and competence. The analysis of variance (ANOVA) was used to compare the average ratings of dance performance videos, and Pearson's correlation was used to investigate the relationships between the evaluations.
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