Abstract
In the context of cultural memory and its transfer, the essay of Ghevond Alishan "Under the fir tree. Reflections in the bosom of a deserted nature" can be interpreted on the basis of considering the text as a cultural memory extended in time. In the space o time, Alishan creates his vision (image) of memory. Alishan connects cultural memory with the present, which is an endless cosmic time. Meantime, he notes the ontological precondition of memory, since it is its carrier. In that present, the time, which encompasses and accumulates the space-time dimensions of the past and future, is revealed. In this particular essay (of Ghevond Alishan), memory as a phenomenon is also considered in the context of intertextual and post-structuralism theories. Such interpenetration of memory plays a very constructive role in terms of further research on the time-text-memory triad. Therefore, the proposition that cultural memory is a non-passive creative reserve turns the information obtained from this into a "working" material for the modern researchers.
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