The Performance and Appearance of Confidence Among the Enslavers of South Carolina and Cuba

Abstract

ABSTRACT For decades the public and private documents of enslavers have been examined to produce seminal studies of slavery. This article explores the interval between public and private, exposing it as a liminal space of emotional direction for the enslaving elite of nineteenth-century South Carolina and Cuba. Consulting confidential correspondence, periodicals, and published proclamations gathered from archives across Cuba, Spain, and the U.S., this study focusses upon instances when enslavers strategized as to how their violence, words, architectural surroundings, legal codification, and press should best buttress what they regarded as the necessary emotional balance for maintaining their dominance: white confidence and Black fear. Analyzing these words and actions using History of the Emotions methodologies and principles including emotionology, emotional regimes, and the emotional politics of slavery, this article contributes the theorization of the ‘confidence script’, a performative narrative style deployed by proslavery elites to publicly assert unalloyed white composure regardless of tangible unrest among the enslaved population, or furtive admissions of slaveholder dread. Its conclusion asserts that the silences and proclamations surrounding racialised white fear and performative confidence in Cuba and the U.S. continue to propagate and justify nefarious white violence and injustice against Black Cubans and Americans today.