Abstract
Abstract: Attentive to the transmutation of British liberalism as a political philosophy in the early twentieth century, this essay examines how E. M. Forster's Howards End brings together multiple intellectual sources that trouble standard divisions between liberal and conservative affiliations in reimagining a liberal culture. From the root and branch image of the wych-elm to the "sweetness and light" (79) of the grass, and to the "little platoon" (136) of Howards End, the essay offers fresh interpretations of Forster's novel and reconnects his work with a group of thinkers as diverse as Edmund Burke, William Gladstone, Herbert Spencer, Matthew Arnold, Hobhouse, and John Maynard Keynes.
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