Abstract
Abstract: This essay argues that Jessie Redmon Fauset's debut novel, There is Confusion , sets the terms by which Black women would go on to challenge the formidable color line of twentieth-century dance. The 1924 text dramatizes the exercise of feminine performance to arbitrate between competing doctrines of race essentialism by centering on the figure of the aloof, yet laboring ballerina of color. Fauset ultimately presents her heroine's thinking as a kind of body to emphasize the conditions of mental work Black women have been forced to endure, in the modernist period as in our own.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
