Abstract
It has been widely noted in academic scholarship that over the last few years there has been a significant shift within the heritage and cultural sector towards more inclusive and community focused practices. In particular, the transition towards community accountability and institutional participation in social justice has meant that state archives are currently more open to adopting feminist archival approaches than ever before. Through the examination of two case studies within an Australian context, this reflection will explore the ways in which feminist thought has begun to influence the curation of archival data in exhibitions by state-run archives.
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