Abstract

This contribution is inspired by a current scenario regarding the city of Naples, Italy, where a strong popular uprising is underway against local institutions that are destroying the Camorra murals celebrating its “heroes” died in “war”. These events are very interesting to analyse the theme of the iconographic exploitation of urban space by the criminal part of society in order to amplify the identity symbols of a tribal structure such as the Camorra. While on the one hand the analysis aims to show the positive response of civil society and institutions in eradicating these celebratory icons of evil, on the other hand the research intends to emphasise the profound and worrying systemic modification of public space according to subjective and negative canons that, however, are also shared by some intellectuals and even an administrative court.

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