The Historical Developments of Musical Styles and their Functions in the Liturgy of the Methodist Church Ghana

Abstract

Music has played a fundamental role in the liturgical activities of the Methodist Church Ghana since its establishment. Thus, this study aimed to gain insight into the integration and significance of various musical genres including hymns, danceable songs, and praises and worship songs within the church’s liturgical practices. The primary objective of this study was to document the historical development of these forms and clarify their functional significance in religious worship, taking into account the wider socio-cultural environment of the Ghanaian population. This study utilized a methodological approach that involved the use of direct observations and qualitative interviews. Primary data was collected from 28 participants sampled from chapels located in three regions of Ghana. The primary data was further enhanced by conducting a complete literature review, which included reputable sources relevant to the topic. The findings emphasized the customized musical choices influenced by profound philosophical principles that inform the selection of each musical style for certain liturgical occasions. The research concludes by suggesting that church leaders should take an active role in communicating the importance of these musical traditions to the congregation, assuring their comprehension and continued relevance in worship services. Keywords: Hymns, Praise and Worship songs, Danceable tunes, Choristers, Liturgy, Worship Service, the Methodist Church Ghana.