The form and content in the architecture of the Yemeni temple gate: the gate of the Baran temple in Ma’rib as a model

Abstract

Architecture has been considered one of the most expressive means for humans since the beginning of settlement. It carries two aspects, one of which is physical, which is the visible and tangible form. The other is non- physical, which is the intellectual content that the form reveals. Yemeni architecture in general and the architecture of temple gates in particular were shaped by the local environment and social culture. The Yemeni person tried to express his visions, beliefs, and perceptions in a unique architectural form that is distinct from others in an embodied and abstract form. The current research attempts to investigate the content that the architectural form of the Yemeni temple gates carried in form and details. The research focuses on tracing the relationship between the idea and the symbol of portal architecture from the stage of embodiment to the stage of abstraction. The research relies on descriptive and analytical approaches and comparative approaches to compare the gates with their counterparts in the kingdoms of ancient Yemen to determine the similarities and differences the extent of influence between the kingdoms. It aims to analyze the architectural form of the gate in a comprehensive and detailed manner to identify intellectual sources. The study reached an understanding of the architectural form of the temple gates and their contents. Yemeni thought was characterized by integration in embodiment and abstraction. The Yemeni architect turned to signs and symbols in order to give the form the character of embodiment through abstraction, while preserving the main features of the inspired form.