Abstract

This research employs methods of iconography analysis to dissect the visual representation of loneliness in the paintings of Harald Sohlberg, aiming to inspire in the creation of loneliness within Contemporary Chinese ink painting. The article unfolds by delving into Sohlberg's painting style, cultural origins, and the profound meanings embedded within his works, subsequently exploring the revelations of Sohlberg's paintings for contemporary Chinese ink painting, and thereby elucidating the author's creation. By providing novel perspectives and methodologies, this paper contributes to the realm of cross-cultural research in the arts, demonstrating the existence of commonalities diverse backgrounds, cultures, and artistic genres, with the aspiration of fostering mutual understanding and exchange across different cultures and nations. Furthermore, this article serves to inspire painters in their creations and aids in enhancing the audience's appreciation and aesthetic sensibilities towards painting.

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