Abstract

In this article, from the standpoint of studying the value paradigm of literature as one of the most striking forms of art that affect the consciousness and soul of man, the spiritual and moral problems of domestic prose devoted to the theme of war are considered. On the example of creativity of writers of the XX century - B. Lavrenev (1891-1960), M. Sholokhov (1905 – 1984), Yu.Buida (b. in 1954), G. Yahinoy (b. in 1977) analyzes the figurative-symbolic and moral-philosophical content of the concept of which allows to reveal one of the main tragedies of the XX century not as an ideological conflict of the warring parties, but as a conflict in the human soul. In this regard, the article touches upon the problem of traditions and innovations in the depiction of the war itself and man in the dramatic circumstances of the war in Russian classical literature. Based on the concept of concept, the authors show that the chronotope of war is not limited to historical events, but includes, first of all, human consciousness, regardless of its nationality. The binary structure of the world, created by war, unwittingly leads to a confrontation between their and others. In the article on the example of works of different genres (novel, tale, short story) and different periods of the XX century the features of the image of the inner nature of a person, a person with his complex inner world caused by the events of the war are investigated. In the course of the analysis, the authors emphasize that the conflict caused by war in the soul and consciousness continues to live in man after the end of the war, defining his life within the framework of existential concepts or existence at the level of animal primitivism. The work builds a lexical synonymous series, which allows to show the commonality and differences in the understanding and attitude to the war as a human tragedy in Russian prose.

Highlights

  • The theme of the war in Russian literature of the 20th century is constant, which has become partly the “face” of Russian literature, a kind of tuning fork, according to which the purity of sounding of each work individually is verified

  • Ideological emphasis in the interpretation of this topic changed, but the interest in man in the war remained unchanged. It is from this point of view that the figurative-symbolic and moralphilosophical content of the concept of “war” is analysed, which allows revealing one of the main tragedies of the 20th century

  • Representing the Civil War, writers seek to understand the changes in the consciousness and behaviour of participants in these events, which is reflected in the style of prose and in the symbolism of works, and they try to reveal the highest, ontological meaning behind the cruelties and losses of the era

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Summary

Introduction

The theme of the war in Russian literature of the 20th century is constant, which has become partly the “face” of Russian literature, a kind of tuning fork, according to which the purity of sounding of each work individually is verified. The literature constantly returns to the theme of war, to the multidimensionality of this issue, including the tragedy of the civil war, human behaviour on the battlefield, heroism and betrayal, all the hardships of life in occupied territory and in the rear, camps, the fate of prisoners of war and convicted by the Soviet government, and most importantly the consequences of war in the mind and soul of man. The aim of the undertaken study is to show how writers of different generations throughout the 20th century and the turn of the 20th-21st centuries depict and not so much the wars themselves, but the eternal struggle of Good and Evil, which, acquiring different forms, penetrates the human mind, perverts moral categories, violates the existential course of life

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