Abstract

Dominique Hecq reviews Julia Prendergast, Eileen Herbert-Goodall and Jen Webb’s (eds.) The Writing Mind: Creative Writing Responses to Images of the Living Brain; Verity Oswin reviews John Kinsellas’ Legibility: An Antifascist Poetics; Amelia Walker reviews Mathelinda Nabugodi’s Shelley with Benjamin: A critical mosaic; Aidan Coleman reviews Ada Calhoun’s Also a Poet; and Verity Oswin reviews Adelle Sefton-Rowston’s Polities and Poetics – Race Relations and Reconciliation in Australian Literature.

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