Abstract

We tested how induced emotions and Turkish makam recognition are influenced by participation in an ear training class and whether either is influenced by the temperament system employed. The ear training class was attended by 19 music students and was based on the Hicaz makam presented as a between-subjects factor in either unfamiliar Turkish original temperament (OT, pitches unequally divided into 24 intervals) or familiar Western equal temperament (ET, pitches equally divided into 12 intervals). Before and after the class, participants listened to 20 music excerpts from five different Turkish makams (in both OT and ET versions). Emotion induction was assessed via the 25-item version of Geneva Emotion Music Scales (GEMS-25), and participants were also asked to identify the makam that was present in the excerpt. The unfamiliar OT was experienced as less vital and more uneasy before the ear training class, and recognition of the Hicaz makam increased after ear training classes (independent of the temperament system employed). Results suggest that unfamiliar temperament systems are experienced as less vital and more uneasy. Furthermore, being exposed to this temperament system for just 1 hr does not seem to be enough to change participants’ mental representations of it or their emotional responses to it.

Highlights

  • We aimed to explore the role of temperament systems on emotion induction and recognition performance by presenting an unfamiliar musical syntax in familiar and unfamiliar temperament systems

  • Makam: Fixed-effects estimates indicate that the equal temperament (ET) version was experienced as significantly more vital, b = 1.44, t = 5.27, p < .001, compared with the original temperament (OT) version

  • We tested the effects of temperament systems on emotion induction and recognition performance through adapting an unfamiliar temperament system to a familiar temperament system

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Summary

Aims and research questions

We aimed to show that temperament systems might play a relevant role in mental pitch representations and expectations. This suggestion is based on our proposal that temperament systems act as an ecosystem of all possible musical pitch relations and expectations. In this exploratory study, our underlying research questions were the following: RQ1. Do listeners’ emotional responses to the unfamiliar temperament system change through exposure to ear training?. In line with the theory of statistical learning, we hypothesize that listeners’ cognitive and emotional responses change through exposure to the temperament systems in ear training

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