Abstract
<p><em>Performing art in Bali is a cultural repertoire that is very tied to the diversity of forms and goals. The island of Bali, dubbed the Island of the Gods, Khayangan Island (Island of Paradise) has a variety of dances that vary in shape and have a close relationship with the implementation of Hindu religious ceremonies which are the largest in number in Bali. The attraction of Bali is its unique culture, community life and natural beauty. Its cultural life is the unification of religion, culture, harmonious customs, taste and intention as a prominent element of human cultivation taking the form of religion, aesthetics and ethics. This is reflected through cultural arts, solidarity of mutual cooperation as a sense of togetherness.</em></p><p align="left"><em>As a tradition, the existence of Balinese art is in line with all aspects of life. In an integrated manner, reflecting on the ideals of the supporting community is not excessive if the Balinese people consider that art (dance, gamelan and wayang) is an integral part of their lives which is always bound by ritual events. Hinduism which has rational, ritual, emotional and belief elements often makes the art as a ritual drama a means to strengthen trust and formulate religious conceptions in people’s lives.</em></p>
Highlights
As a tradition, the existence of Balinese art is in line with all aspects of life
Performing art in Bali is a cultural repertoire that is very tied to the diversity of forms and goals
The island of Bali, dubbed the Island of the Gods, Khayangan Island (Island of Paradise) has a variety of dances that vary in shape and have a close relationship with the implementation of Hindu religious ceremonies which are the largest in number in Bali
Summary
Seni tari adalah perwujudan dari ekspresi jiwa, yang didalamnya terkandung rasa estetik. Khususnya seni tari wali yang sangat erat kaitannya dalam ritual upacara. Dari sekian banyak bentuk Tari telek atau yang lebih dikenal dengan Sandar di desa adat kedonganan mempunyai ciri khas tersendiri dari segi cerita yang diangkat maupun pola koreografi dan bahkan dari segi iringan musiknya. Selain hal tersebut dalam tari sandar terdapat subtansional klarifikasi sandar cenik dan sandar gede. Sedangkan dari pihak tari Sandar Gede terdapat beraneka karekter antagonis dengan warna topeng yang khas yaitu merah, hitam maupun putih. Tari Sandar merupakan tarian sakral dan merupakan bagian dari prosesi Mepajar atau mesolah Sesuhunan di Kedonganan. Adapun hal yang mendorong penulis untuk mengkaji tarian sakral Sandar yang memang hakekatnya sebagai benteng pertahanan adat di Desa Adat Kedonganan adalah Pertama, karena tari Sandar merupakan tarian sakral yang mengandung nilai – nilai luhur. Berdasarkan uraian diatas, maka penulis mengangkat judul Tari Sandar Sebagai Benteng Pertahanan Adat di Desa Adat Kedonganan Kuta sebagai suatu karya ilmiah
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