Abstract
Abstract: Emerging from the author’s own diasporic experience in the Caribbean, the UK and the United States, Edgar Nkosi White’s drama reflects the reality of the raciallyoppressed from multiple perspectives. Focusing on the theatre’s spatial expressivity, this essay analyses the metaphorical value of his theatrical spaces. Through these deterritorialized geographies, the readers and spectators of Edgar Nkosi White’s theatre are able to recognize loci of racial confrontation from a cross-cultural viewpoint, thus enlightening their perception of the global, conflictive space they share.Resumen: A partir de la experiencia diaspórica del propio autor en el Caribe, el Reino Unido y Estados Unidos, el teatro de Edgar Nkosi White refleja la realidad de las víctimas del racismo desde una perspectiva múltiple. Tomando la expresividad espacial del teatro como eje principal, este artículo analiza el valor metafórico de los espacios escénicos de su obra. A través de sus geografías desterritorializadas, los lectores y espectadores de Edgar Nkosi White pueden reconocer lugares de confrontación racial desde una perspectiva transcultural, iluminando así su visión del espacio global y conflictivo que comparten.
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