Abstract
Sv. Đurađ u Pilama jedna je od najranijih crkava u Dubrovniku na kojoj se nalaze klasični oblici i sustavno provodi njihova kompozicija, što do sada nije zapaženo. Ovaj rad monografski istražuje tu crkvu i valorizira je unutar suvremene dubrovačke arhitekture. Uočene su sličnosti s pročeljima crkava Gospe od Milosrđa, sv. Roka i kapele sv. Jeronima palače Gradić te je diskutirana rana recepcija trakata Sebastiana Serlija.
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