Abstract
By employing the episode “Nosedive” by Joe Wright as the object of study, this article aims to demonstrate how the concepts of spectacle, biopower and gender performativity form a causal chain, with the society of the spectacle presenting itself as a favorable sociocultural context for the practice of biopower, which, in turn, would reinforce gender-specific technologies of power, thereby stiffening and restricting the possibilities for expression of dissident gender identities. When carried out on the materiality of the body, these control and surveillance strategies become intertwined, forming a cluster of regulatory powers that are difficult to differentiate.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
