Abstract
This paper addresses the question of the utopian character of the book, of Alfonso X’s action and of his political and cultural project. To try to establish whether the works of this king can be considered utopian, three aspects will be analysed: the actual creation of the codices, as the embodiment of a reform project; the unfinished nature of this project, which seems to ascribe the utopian to the unrealisable; and the shift of the utopia from the work itself to its maker, the king
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