Abstract
The article is devoted to the study of such a phenomenon as communication between opposing sides during wars and armed conflicts, carried out with the help of inscriptions and images that were applied to military equipment and striking elements. Archetypal grounds that largely determine the specifics of these communications are considered. The article provides an overview of the development of the studied phenomenon in the course of the history of world culture with the involvement of a variety of specific historical material. Special emphasis is placed on Modern times and the analysis of various processes that contributed to the popularization, modification and further dissemination of these communications (first, we are talking about the emergence and development of mass culture, new means of information replication, etc.). A thematic analysis of communications between «friends» and «enemies» is undertaken.
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