Saved by Gertrude Stein, Or The Life You Perform Can Become Your Own

Abstract

Click to increase image sizeClick to decrease image size Notes 1. When preparing the audition and the subsequent monologue, “Gertrude Stein as Gertrude Stein,” I consulted the following in addition to the references listed: Janet Hobhouse, Everybody Who Was Anybody: A Biography of Gertrude Stein. New York: Putnam, 1975; Carl Van Vechten's edited collection, Selected Writings of Gertrude Stein. New York: Vintage Books, 1972; Gertrude Stein's Paris, France. New York: Liveright, 1940; “Gertrude Stein, Edith Wharton, and The Fool's Journey”; “Writing is Hearing and Saying: Gertrude Stein on Language and in Performance”. Additional informationNotes on contributorsLynn C. MillerLynn C. Miller is a novelist and playwright and codirector of the Albuquerque Writers Co-op, a community for southwestern writers. Previously, she was Professor of Theatre and Dance at the University of Texas at Austin